In Machete Kills, Danny Trejo returns as ex-Federale agent Machete, who is recruited by the President of the United States for a mission which would be impossible for any mortal man - he must take down a madman revolutionary and an eccentric billionaire arms dealer who has hatched a plan to spread war and anarchy across the planet.
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Director Robert Rodriguez and actor Danny Trejo willed Machete, the knife-wielding hero of Machete and Machete Kills, into existence. Machete’s origins predate his brief cinematic debut in a fake trailer Rodriguez wrote and directed for Grindhouse, Rodriguez’s 2007 double feature collaboration with Quentin Tarantino. “I actually came up with the character when I made Desperado, and I told Danny Trejo about it on set,” Rodriguez remembers. “I said, ‘Someday you’re going to play Machete.’ For years, we kicked it around. In the movie Spy Kids, we paid tribute to this movie that we thought we would never get off the ground.”
Rodriguez had an opportunity to test Machete out when he and Tarantino discussed ideas for manufactured film trailers for Grindhouse. At that point, Rodriguez had built an entire history for the character that had taken residence in the back of his mind. “When we were looking to do fake trailers, Quentin and I immediately thought, ‘We’ve got to make Machete.’ I had a story built up over the years, and I jammed it into this trailer. It was the first ‘Mex-ploitation’ movie, like a genre picture from the ‘70s or ‘80s, but done with a Latin character.”
The eye-popping fake trailer begat a real movie in 2010 with Rodriguez’s Machete. But the impetus for Machete Kills began even before Machete hit theaters. When Rodriguez was putting the finishing touches on Machete, he thought the film should go out with a bang. Rodriguez explains: “Machete drove off with Jessica Alba, and it’s a nice ending, but it needed something else. It needed something visceral. So, while I was mixing, I decided to put some titles up for two fake sequels, just to get the audience thinking we have two sequels coming. It said, ‘Machete’ will return in Machete Kills and Machete Kills Again.”
Rodriguez left audiences wanting more, and the titles at the end of Machete went from being a creative whim to an eagerly anticipated promise. When Rodriguez saw the reaction to Machete, he realized that he should give the fans what they wanted. “I was really happy with how the first movie came out. It’s probably the best reaction I had seen from an audience for one of my movies. Not just in the States: we took it to the Venice Film Festival and it got a bonkers reaction.”
Trejo also relished in the success of Machete, and hoped he could don his sword-lined leather jacket again. “Danny Trejo called me all the time saying, ‘When are we going to make another one?’” Rodriguez says. “Anywhere he goes, people stop him and they don’t call him ‘Danny’ anymore, they call him ‘Machete.’ Even his own mother called him Machete after that.”
After much consideration, Rodriguez made the decision to direct Machete Kills. In fact, Machete Kills can be seen as two sequels wrapped together. Rodriguez explains: “We had no plans of making two more, but the first movie built up an audience, and built up anticipation for another movie. We decided to go ahead and make Machete Kills to give people the second and a taste of the third one all in one.”
Nevertheless, Rodriguez was reticent to make a sequel to Machete unless it offered something completely new to the series. He expanded upon the legend of Machete in an organic, but bold manner. “I decided to go really big and adventurous with it,” Rodriguez explains. “The first movie was almost like our First Blood, and this needed to be Rambo: First Blood Part 2. This needed to be Machete hired by the U.S. government to go on a mission that they couldn’t solve. I wanted it to feel like we went much bigger with the second one.”
After working up a 40 page scriptment with his brother and long time collaborator, Marcel, Rodriguez turned to writer Kyle Ward to flesh out a screenplay for Machete Kills. “I remember the first time we sat down, he had all these ideas,” Ward recalls “He’s a creative juggernaut, so the fun thing is that you can riff on that. It’s fun to see it evolve.”
Rodriguez threw one major challenge Ward’s way: “Robert always had a vision of how he was going to do Machete Kills. He announced in San Diego that he wanted to take it to outer space. And when he first told me that, I was like, ‘Aye, what am I going to do with that?’”
Indeed, Ward and Rodriguez found a way to send Machete into the stratosphere. Ward notes that the irreverent, playful tone of the film lends itself to such flourishes. “I want people to go to the theater and have a good time, and laugh, and say, ‘Hey I’ve never seen anything like that before.’ I think that was the goal of Machete Kills, and hopefully we’ve accomplished that goal.”
“What I think Machete has is this real sense of play, and adventure, and inventiveness, and creativity, and expecting the unexpected, and going as far as you possibly can to push all the boundaries. Start there, and then push further,” Rodriguez says.
The impressive cast for Machete Kills includes returning cast members Danny Trejo, Jessica Alba, Michelle Rodriguez, Elise and Electra Avellan, and Tom Savini, as well as a diverse, impressive new ensemble: Mel Gibson, Demian Bichir, Sofia Vergara, Amber Heard, Cuba Gooding Jr., Walt Goggins, Antonio Banderas, Charlie Sheen, William Sadler, Alexa Vega, Vanessa Hudgens, and Lady Gaga.
Danny Trejo has over two hundred credits under his belt, but he is perhaps best known for Machete. Despite the distinctive look and cold demeanor, Trejo believes that Machete’s allure lies in his relatability. “The one thing that I really loved about the character Machete was that he was a regular guy. He was just a cop,” Trejo says of his affinity for Machete. “He was a Federale -- a federal agent in Mexico -- and he was nothing special, other than that he was a guy who had to right wrongs. He’s just a regular guy that can kick ass. He uses his head.”
Mel Gibson, who portrays Machete Kills’ ruthless bad guy, Voz, was a fan of the original Machete. “I was laughing because it was just so gratuitous in every aspect,” Gibson recalls. “At the same time you kind of got into it on another level.”
Rodriguez found a game participant in Gibson, who embraced the opportunity to play an over-the-top enemy. “He’s the ultimate Bond style villain. He’s got a plan, but he also has some quirks that we manage to find along the way.”
Charlie Sheen, credited in Machete as Carlos Estevez, plays the President of the United States. Sheen notes that his first collaboration with Rodriguez is long overdue: “Robert and I have been trying to work together for a long time, ever since From Dusk ‘Til Dawn,” Sheen says. Their long-conflicting schedules finally made room for Sheen to make a brief trip to the Austin, Texas set. “Robert said, ‘I want you to play the President. I’m like, ‘Far out. Let’s do this.”
Sheen was fond of Machete from its earliest screen incarnation. “I’m a Grindhouse fan,” Sheen says of the Tarantino-Rodriguez collaboration. “There’s just something about it. From the opening trailer, I thought it was a masterpiece.”
Oscar-nominee Demian Bichir plays Mendez, a ticking time-bomb with a split personality. “He’s an avenger, and he’s clever, and tough. Tragic things happen in his life that change everything and turn him into this crazy character with many different personalities,” Bichir says.
“As an actor, you are looking for characters that can go in so many different directions in the same film,” Bichir adds, noting that perhaps he should be careful what he wishes for. “I joke with Robert about me going to therapy after this. I think I will spend a lot of money on that, maybe.”
Sofia Vergara, who plays Madame Desdemona, was intrigued by the opportunity to take on one of Rodriguez’s female characters. “His characters for women are always so strong, and a lot of fun. I wanted to be one of those characters. When he approached me, he told me that if I wanted to do very crazy, I was able to do very crazy. I’ve been wanting to do a character like that for a long time,” Vergara comments.
Vergara is quick to note that this character bears no resemblance to her sunny role as Gloria on the hit series “Modern Family.” “The character is fantastic for me because it’s something very different from what I’ve been doing. She’s very crazy, and not very stable. And she’s an assassin. It’s all fun to be in a movie where you get to do action, and shoot guns, and shoot people with your metal bra,” Vergara says.
Vanessa Hudgens plays Vergara’s daughter, Cereza, which means “Cherry” in Spanish. Machete Kills is the latest in of an increasingly diverse body of work for the actress, who recently segued from “High School Musical” to her very grown-up turn in Harmony Korine’s Spring Breakers.
Jessica Alba, who worked with Rodriguez on Sin City and Spy Kids: All the Time in the World, reprises her role as Sartana in Machete Kills. “I haven’t played a character this rebellious since Sin City. Being in a hardcore Robert Rodriguez movie gives you a certain kind of street cred, the same way being a part of Spy Kids comes with kid cred,” Alba says.
There was an added impetus for Alba, too: “There’s nothing better than seeing Danny Trejo as a superhero.”
Perhaps the most unusual role in Machete Kills is El Camaleon, played by Antonio Banderas, Cuba Gooding Jr., Lady Gaga and Walt Goggins. Banderas was happy to travel to Austin to team up with Rodriguez again: “I’ve done six movies with him: two Desperados, three Spy Kids and Four Rooms. We grew up together in Hollywood. We started with Desperado, which took us on a path of almost eleven years working together,” Banderas says.
Banderas jumped at the chance to share a role with three other actors. Banderas comments: “I’m trying to think if I have seen anything like that before. No, we have seen costumes and disguises, but never a character played by four different actors.”
Cuba Gooding Jr. had one big reason to join Banderas, namely winning the admiration of his sons. “I’ll be cool with my sons for all of two days: the day before they see the movie, the day after they see the movie. Then they’ll move on,” Gooding jokes.
Gooding also had an additional challenge when preparing for the role: “Am I fluent in Spanish? No, but embarrassingly so, because my name is Cuba. Everybody says, ‘Hey, Cuba, como estas?’ I’m like, ‘Slow down, brother.’”
Lady Gaga took time out from a packed schedule to play El Camaleon’s one female incarnation—La Camaleon. “I was a fan of Machete when it came out. It was the first time in a while that I had gone to the movie theater,” Gaga remembers. “I went out, and I bought some tequila, and put on my leather jacket, and I watched the film, and I laughed the whole time. I am a really big fan, and all of the stars aligned and I’m really happy to be here.”
Gaga found that her screen debut wasn’t too different from her experiences on the stage. “In a way, the preparation was exactly the same as what I do for my stage shows, except I have lines, and there’s a character that’s a little bit different from myself. But I applied what I do in my own work to my work with Robert.”
The fashion icon also had some thoughts about how her version of La Camaleon should look. “When I first spoke to Robert about the part, La Camaleon, I told him that I had some very specific ideas about her outfit. I told him about her wolf coat, and I spoke to him about having a machete tattoo, and tangerine hair. He really liked my ideas, and I love his ideas, so together we created this little moment in the film, and it’s very nice,” Gaga says.
Walt Goggins rounds out the impressive roster of actors who make up El Camaleon. Goggins and Rodriguez had collaborated previously on Predators, which was produced by Rodriguez. “I was in New Orleans, and Robert reached out to me,” Goggins recalls. “We started talking about it, and he told me how he wanted four people to play the same person. I thought he was nuts. But then he explained to me what he wanted to do. I’d never seen it done quite like that. I was kind of blown away by the concept.”
Amber Heard read the first few pages of the script for Machete Kills while sitting in a casting office in Los Angeles. The script’s space-themed opening scene threw her for a loop. “I remember I was on page two of the script, and I looked at it and went back to page one and thought, ‘Am I reading Machete Kills?’ I guess, for me, that’s what I needed to think. That sets the tone for the rest of the script. It was a ‘70s space mission movie in the first two pages, but it’s a good set-up for the rest of the hundred pages that follow,” Heard comments.
As she read further, Heard was introduced to her character, Miss San Antonio. “When I find a good character, one that I feel like I haven’t seen before, it’s special to me. It’s rare,” Heard says. “And Miss San Antonio is just that. She’s certainly unlike most characters I see. She is Miss San Antonio, but she’s not your average pageant girl, that’s for sure.”
“She’s smart, she’s powerful, she’s in control, she’s a badass in heels, and I like that.” Heard continues. “She’s the real match for Machete. You get the feeling that she’s going to put up the fight that Machete ultimately deserves.”
Michelle Rodriguez has a similar affinity for Luz, who returns from Machete. Michelle Rodriguez appreciates not only Luz, but all of the female characters in the film. “I think that it’s cool that you can have a girl who is incredible sexy, and meant to be eye candy for the guys, but her attitude has changed. It’s more about, ‘This is what I want, and I’m going to get it no matter what.’ And you see that in Machete Kills. I think the women are going to have a good laugh with this one,” Michelle Rodriguez says.
In Machete Kills, Luz has graduated from her trademark taco truck to a more advanced operation. “Luz basically evolved to a place where she’s not running a more sophisticated network because there are more people involved,” Michelle Rodriguez says. “There’s computer data coming in, there’s registry, there’s a tracking system, there are guys with guns outside of a warehouse protecting the place so she doesn’t get her other eye shot out.”
Alexa Vega, who Rodriguez fans might recognize from the Spy Kids series, makes a very grown-up turn as Killjoy. “Killjoy’s such a badass, out-there character. I’ve never played anything like her. I was pretty quick to jump on when Robert mentioned it,” Vega says.
Vega, who has known Rodriguez since she was eleven, has a theory about the female characters in his films. Vega explains: “The women in Robert’s life have all been strong women. When his sisters come into a room, they command the room. I think because he grew up with these women in his life, he’s able to really put that on the screen, especially when you have somebody like Salma Hayek.”
“It’s always been that way, and it’s never anything planned,” Rodriguez comments. “I grew up with five sisters. When you understand a woman’s strength, that comes across in a movie. I go for that feeling of just seeing their true, strong selves coming through, and letting that be a highlight of the movie. Michelle Rodriguez and Amber Heard were going at it, and they were just so amazing, and so fun. You can make a whole movie just about them.”
Tom Savini and William Sadler round out the cast. Rodriguez and William Sadler had worked together on Rodriguez’s 1994 film Roadracers. Sadler comments on his character, Sheriff Doakes: “He’s got a real bias against Latinos, which he doesn’t hide. It just falls right out of his face, and it’s scary how it rolls off the tongue. Doakes is crooked to the core.”
Despite the all-star talent, Machete Kills was shot on a limited budget, and at a breakneck pace. “The choice was to shoot like we’re twenty years old or don’t make the movie,” Rodriguez says. “We shot fast and furious. What’s great about that is that you fly so free at that moment. You get out of the way because you have to just let it flow, and go with the moment, and go with what’s happening. Everybody just had a blast because of that. I think it was the most fun I’ve had making a movie.”
Part of Rodriguez’s technique involved shooting the cast when they rehearsed: “We shoot the rehearsal because you never want to feel like we’re actually doing it. We don’t want to make it that official. I think that helps,” Rodriguez says.
Michelle Rodriguez notes that there is something relaxed and playful about filming at Troublemaker, Rodriguez’s Austin studio. “It’s free. I like to be free. I like to not have to worry about what I say, or worry about how I’m acting, or worry how people are going to receive me as a person, which is something that you encounter a lot in Hollywood. When you come down to Austin, you’re working at Troublemaker, you don’t have to worry about that. No bleeps necessary.”
The structure of the screenplay, coupled with actor availability, often made each twelve-hour workday feel like its own complete film shoot. Rodriguez explains: “Lady Gaga showed up and we’re picking her costumes, and I’m giving her new lines. She comes in and she nails them, and goes from one part to the next, and I’m adding more stuff for her to do, and she leaves with a finished poster of her character at the end of that day. And it feels very surreal.”
Although unusual, the tight, staggered production schedule allowed for Rodriguez to focus on each character’s journey in Machete Kills. “You really concentrate on one actor at a time. When Amber showed up the first week, it was ‘Amber Heard Week.’ And then Michelle Rodriguez overlapped with her and that led into Sofia Vergara for two days of ‘Sofia World.’ Cuba Gooding Jr. is there for a day, Antonio is there for a day, Lady Gaga is there for one day, Charlie Sheen is there for one day. You get to concentrate on each person and make the arc of their character work within those days,” Rodriguez explains.
Part of Michelle Rodriguez and Amber Heard’s overlapping schedules involved one of the film’s biggest fight sequences. “One of my favorite scenes is the fight with Michelle Rodriguez because it is in many ways a dance. You have to learn a choreography, you have to learn your steps,” Heard says.
In addition to fight choreography, Heard had to learn how to handle a weapon. “They’re not your everyday shooting range, let’s-go-shoot-skeet-with-your-dad type of weapons,” Heard notes. “It’s not easy, especially with nails and the whole gig. But I didn’t do this job so it would be easy, that’s for sure.”
Rodriguez’s familiarity with Trejo allowed him to focus on the rest of the ensemble without worrying about slighting the production. “It’s hard to remember a time I didn’t work with Danny Trejo,” Rodriguez explains. “I had so many other actors to deal with that I just kept thinking, ‘We’ll just save Danny. I’ll shoot him at the end of the day.’ Danny would get very little time. And there was something magic about that because he didn’t even need any time. I could turn to him and I would get it in one take.”
One of Trejo’s most memorable moments involved facing off with the one and only Mel Gibson: “I threw down my sword, and Robert said, ‘Why are you throwing down your sword, Danny?’ I said, “I’m not fighting William Wallace. What, are you kidding? He saved Scotland.’ We have this unbelievable swordfight. I loved working with Mel. He was amazing.”
The appreciation is mutual. Gibson was glad to learn that Trejo is nothing like Machete. “He’s just your ordinary guy, but on screen he comes across like this really mean, tough guy. But he’s a pussycat,” Gibson says of Trejo.
Goggins agrees that to see Danny Trejo is very different than to know him. “I think he really is Machete. He scared the shit out of me the first time I saw him. And then he started talking, and I was like, ‘You’re a softie, man. You’re just a sweetheart is what you are.’”
Sadler notes that Trejo’s talent shines in Machete’s silences. “Machete doesn’t talk a lot, but he stood there with this noose around his neck, and he gave it all back. I have a four-page monologue with him, and he has nothing to say in return. But he was there. He was feeding me back plenty, as if there was another person in the conversation with me, even though he had nothing to say,” Sadler says.
Similarly, Vega loved watching Vergara take her take-no-prisoners character to the next level: “Working with her on this set, she plays a mad woman. She has a twisted mind in this film, and I think it’s great to see her portrayed that way in such a different light is. It’s outrageous, and she’s owning it,” Vega comments.
Machete costume designer Nina Procter returns for Machete Kills -- and she brought a machine gun bra with her. “When you put that outfit on, you really start feeling the essence of the character. That happens to me personally,” Vergara says. “It’s amazing. This bra that my character has to wear -- when I put it on, I feel like I can do anything, or kill anyone, and be crazy with it.”
Despite the production’s playful, relaxed demeanor, Rodriguez always strived to bring the most out of his actors: “Robert is still very soft spoken. Between takes he’ll come up to you and tell you what he wants. He doesn’t yell it in front of everybody. And he really wants to get it exactly the way he wants it,” Tom Savini says.
“[Robert] really is an artist,” Heard agrees. “I looked at him once when he was filming a take, and he was just strumming a guitar, and I thought it kind of summed up Robert Rodriguez. He’s a creative person. He’s just in it to create, and he does exactly what he wants to do, and that’s unusual.”
“What you get with Robert is this child-like enthusiasm for filmmaking, and it’s infectious. You know you’re taken along on this ride with him, and he’s bold, and he’s not afraid to not have all the answers,” Goggins adds.
When the cast wasn’t shooting at Troublemaker, they ventured out into the city of Austin. Sadler shot The Hot Spot with Don Johnson and Virginia Madsen in Austin in 1990, but had not worked there in the years since. “I remember my fondest memories of Austin back then were of walking down the street. There was music coming out of every doorway,” Sadler recalls. “There’s a band on the first floor, and there’s a band on the second floor, and there’s a band in the alley playing, and it was just like the place was percolating music. It oozed music, and it still does.” For Rodriguez, Machete Kills offered a chance to be as creative and inventive as humanly possible. “The whole series is completely wacky. There are no rules. There’s something really exciting about that,” Rodriguez says. “I think that’s why it attracts a lot of actors: anything goes. There’s nothing that an actor, or performer, or creator, or a filmmaker likes more than creative freedom. If you have a project where the job is to be completely free creatively, well that’s no job at all. That’s easy. That’s fun. That’s play.”
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Director Robert Rodriguez and actor Danny Trejo willed Machete, the knife-wielding hero of Machete and Machete Kills, into existence. Machete’s origins predate his brief cinematic debut in a fake trailer Rodriguez wrote and directed for Grindhouse, Rodriguez’s 2007 double feature collaboration with Quentin Tarantino. “I actually came up with the character when I made Desperado, and I told Danny Trejo about it on set,” Rodriguez remembers. “I said, ‘Someday you’re going to play Machete.’ For years, we kicked it around. In the movie Spy Kids, we paid tribute to this movie that we thought we would never get off the ground.”
Rodriguez had an opportunity to test Machete out when he and Tarantino discussed ideas for manufactured film trailers for Grindhouse. At that point, Rodriguez had built an entire history for the character that had taken residence in the back of his mind. “When we were looking to do fake trailers, Quentin and I immediately thought, ‘We’ve got to make Machete.’ I had a story built up over the years, and I jammed it into this trailer. It was the first ‘Mex-ploitation’ movie, like a genre picture from the ‘70s or ‘80s, but done with a Latin character.”
The eye-popping fake trailer begat a real movie in 2010 with Rodriguez’s Machete. But the impetus for Machete Kills began even before Machete hit theaters. When Rodriguez was putting the finishing touches on Machete, he thought the film should go out with a bang. Rodriguez explains: “Machete drove off with Jessica Alba, and it’s a nice ending, but it needed something else. It needed something visceral. So, while I was mixing, I decided to put some titles up for two fake sequels, just to get the audience thinking we have two sequels coming. It said, ‘Machete’ will return in Machete Kills and Machete Kills Again.”
Rodriguez left audiences wanting more, and the titles at the end of Machete went from being a creative whim to an eagerly anticipated promise. When Rodriguez saw the reaction to Machete, he realized that he should give the fans what they wanted. “I was really happy with how the first movie came out. It’s probably the best reaction I had seen from an audience for one of my movies. Not just in the States: we took it to the Venice Film Festival and it got a bonkers reaction.”
Trejo also relished in the success of Machete, and hoped he could don his sword-lined leather jacket again. “Danny Trejo called me all the time saying, ‘When are we going to make another one?’” Rodriguez says. “Anywhere he goes, people stop him and they don’t call him ‘Danny’ anymore, they call him ‘Machete.’ Even his own mother called him Machete after that.”
After much consideration, Rodriguez made the decision to direct Machete Kills. In fact, Machete Kills can be seen as two sequels wrapped together. Rodriguez explains: “We had no plans of making two more, but the first movie built up an audience, and built up anticipation for another movie. We decided to go ahead and make Machete Kills to give people the second and a taste of the third one all in one.”
Nevertheless, Rodriguez was reticent to make a sequel to Machete unless it offered something completely new to the series. He expanded upon the legend of Machete in an organic, but bold manner. “I decided to go really big and adventurous with it,” Rodriguez explains. “The first movie was almost like our First Blood, and this needed to be Rambo: First Blood Part 2. This needed to be Machete hired by the U.S. government to go on a mission that they couldn’t solve. I wanted it to feel like we went much bigger with the second one.”
After working up a 40 page scriptment with his brother and long time collaborator, Marcel, Rodriguez turned to writer Kyle Ward to flesh out a screenplay for Machete Kills. “I remember the first time we sat down, he had all these ideas,” Ward recalls “He’s a creative juggernaut, so the fun thing is that you can riff on that. It’s fun to see it evolve.”
Rodriguez threw one major challenge Ward’s way: “Robert always had a vision of how he was going to do Machete Kills. He announced in San Diego that he wanted to take it to outer space. And when he first told me that, I was like, ‘Aye, what am I going to do with that?’”
Indeed, Ward and Rodriguez found a way to send Machete into the stratosphere. Ward notes that the irreverent, playful tone of the film lends itself to such flourishes. “I want people to go to the theater and have a good time, and laugh, and say, ‘Hey I’ve never seen anything like that before.’ I think that was the goal of Machete Kills, and hopefully we’ve accomplished that goal.”
The impressive cast for Machete Kills includes returning cast members Danny Trejo, Jessica Alba, Michelle Rodriguez, Elise and Electra Avellan, and Tom Savini, as well as a diverse, impressive new ensemble: Mel Gibson, Demian Bichir, Sofia Vergara, Amber Heard, Cuba Gooding Jr., Walt Goggins, Antonio Banderas, Charlie Sheen, William Sadler, Alexa Vega, Vanessa Hudgens, and Lady Gaga.
Danny Trejo has over two hundred credits under his belt, but he is perhaps best known for Machete. Despite the distinctive look and cold demeanor, Trejo believes that Machete’s allure lies in his relatability. “The one thing that I really loved about the character Machete was that he was a regular guy. He was just a cop,” Trejo says of his affinity for Machete. “He was a Federale -- a federal agent in Mexico -- and he was nothing special, other than that he was a guy who had to right wrongs. He’s just a regular guy that can kick ass. He uses his head.”
Mel Gibson, who portrays Machete Kills’ ruthless bad guy, Voz, was a fan of the original Machete. “I was laughing because it was just so gratuitous in every aspect,” Gibson recalls. “At the same time you kind of got into it on another level.”
Rodriguez found a game participant in Gibson, who embraced the opportunity to play an over-the-top enemy. “He’s the ultimate Bond style villain. He’s got a plan, but he also has some quirks that we manage to find along the way.”
Charlie Sheen, credited in Machete as Carlos Estevez, plays the President of the United States. Sheen notes that his first collaboration with Rodriguez is long overdue: “Robert and I have been trying to work together for a long time, ever since From Dusk ‘Til Dawn,” Sheen says. Their long-conflicting schedules finally made room for Sheen to make a brief trip to the Austin, Texas set. “Robert said, ‘I want you to play the President. I’m like, ‘Far out. Let’s do this.”
Sheen was fond of Machete from its earliest screen incarnation. “I’m a Grindhouse fan,” Sheen says of the Tarantino-Rodriguez collaboration. “There’s just something about it. From the opening trailer, I thought it was a masterpiece.”
Oscar-nominee Demian Bichir plays Mendez, a ticking time-bomb with a split personality. “He’s an avenger, and he’s clever, and tough. Tragic things happen in his life that change everything and turn him into this crazy character with many different personalities,” Bichir says.
“As an actor, you are looking for characters that can go in so many different directions in the same film,” Bichir adds, noting that perhaps he should be careful what he wishes for. “I joke with Robert about me going to therapy after this. I think I will spend a lot of money on that, maybe.”
Sofia Vergara, who plays Madame Desdemona, was intrigued by the opportunity to take on one of Rodriguez’s female characters. “His characters for women are always so strong, and a lot of fun. I wanted to be one of those characters. When he approached me, he told me that if I wanted to do very crazy, I was able to do very crazy. I’ve been wanting to do a character like that for a long time,” Vergara comments.
Vergara is quick to note that this character bears no resemblance to her sunny role as Gloria on the hit series “Modern Family.” “The character is fantastic for me because it’s something very different from what I’ve been doing. She’s very crazy, and not very stable. And she’s an assassin. It’s all fun to be in a movie where you get to do action, and shoot guns, and shoot people with your metal bra,” Vergara says.
Vanessa Hudgens plays Vergara’s daughter, Cereza, which means “Cherry” in Spanish. Machete Kills is the latest in of an increasingly diverse body of work for the actress, who recently segued from “High School Musical” to her very grown-up turn in Harmony Korine’s Spring Breakers.
Jessica Alba, who worked with Rodriguez on Sin City and Spy Kids: All the Time in the World, reprises her role as Sartana in Machete Kills. “I haven’t played a character this rebellious since Sin City. Being in a hardcore Robert Rodriguez movie gives you a certain kind of street cred, the same way being a part of Spy Kids comes with kid cred,” Alba says.
There was an added impetus for Alba, too: “There’s nothing better than seeing Danny Trejo as a superhero.”
Perhaps the most unusual role in Machete Kills is El Camaleon, played by Antonio Banderas, Cuba Gooding Jr., Lady Gaga and Walt Goggins. Banderas was happy to travel to Austin to team up with Rodriguez again: “I’ve done six movies with him: two Desperados, three Spy Kids and Four Rooms. We grew up together in Hollywood. We started with Desperado, which took us on a path of almost eleven years working together,” Banderas says.
Banderas jumped at the chance to share a role with three other actors. Banderas comments: “I’m trying to think if I have seen anything like that before. No, we have seen costumes and disguises, but never a character played by four different actors.”
Cuba Gooding Jr. had one big reason to join Banderas, namely winning the admiration of his sons. “I’ll be cool with my sons for all of two days: the day before they see the movie, the day after they see the movie. Then they’ll move on,” Gooding jokes.
Gooding also had an additional challenge when preparing for the role: “Am I fluent in Spanish? No, but embarrassingly so, because my name is Cuba. Everybody says, ‘Hey, Cuba, como estas?’ I’m like, ‘Slow down, brother.’”
Lady Gaga took time out from a packed schedule to play El Camaleon’s one female incarnation—La Camaleon. “I was a fan of Machete when it came out. It was the first time in a while that I had gone to the movie theater,” Gaga remembers. “I went out, and I bought some tequila, and put on my leather jacket, and I watched the film, and I laughed the whole time. I am a really big fan, and all of the stars aligned and I’m really happy to be here.”
Gaga found that her screen debut wasn’t too different from her experiences on the stage. “In a way, the preparation was exactly the same as what I do for my stage shows, except I have lines, and there’s a character that’s a little bit different from myself. But I applied what I do in my own work to my work with Robert.”
The fashion icon also had some thoughts about how her version of La Camaleon should look. “When I first spoke to Robert about the part, La Camaleon, I told him that I had some very specific ideas about her outfit. I told him about her wolf coat, and I spoke to him about having a machete tattoo, and tangerine hair. He really liked my ideas, and I love his ideas, so together we created this little moment in the film, and it’s very nice,” Gaga says.
Walt Goggins rounds out the impressive roster of actors who make up El Camaleon. Goggins and Rodriguez had collaborated previously on Predators, which was produced by Rodriguez. “I was in New Orleans, and Robert reached out to me,” Goggins recalls. “We started talking about it, and he told me how he wanted four people to play the same person. I thought he was nuts. But then he explained to me what he wanted to do. I’d never seen it done quite like that. I was kind of blown away by the concept.”
Amber Heard read the first few pages of the script for Machete Kills while sitting in a casting office in Los Angeles. The script’s space-themed opening scene threw her for a loop. “I remember I was on page two of the script, and I looked at it and went back to page one and thought, ‘Am I reading Machete Kills?’ I guess, for me, that’s what I needed to think. That sets the tone for the rest of the script. It was a ‘70s space mission movie in the first two pages, but it’s a good set-up for the rest of the hundred pages that follow,” Heard comments.
As she read further, Heard was introduced to her character, Miss San Antonio. “When I find a good character, one that I feel like I haven’t seen before, it’s special to me. It’s rare,” Heard says. “And Miss San Antonio is just that. She’s certainly unlike most characters I see. She is Miss San Antonio, but she’s not your average pageant girl, that’s for sure.”
“She’s smart, she’s powerful, she’s in control, she’s a badass in heels, and I like that.” Heard continues. “She’s the real match for Machete. You get the feeling that she’s going to put up the fight that Machete ultimately deserves.”
Michelle Rodriguez has a similar affinity for Luz, who returns from Machete. Michelle Rodriguez appreciates not only Luz, but all of the female characters in the film. “I think that it’s cool that you can have a girl who is incredible sexy, and meant to be eye candy for the guys, but her attitude has changed. It’s more about, ‘This is what I want, and I’m going to get it no matter what.’ And you see that in Machete Kills. I think the women are going to have a good laugh with this one,” Michelle Rodriguez says.
In Machete Kills, Luz has graduated from her trademark taco truck to a more advanced operation. “Luz basically evolved to a place where she’s not running a more sophisticated network because there are more people involved,” Michelle Rodriguez says. “There’s computer data coming in, there’s registry, there’s a tracking system, there are guys with guns outside of a warehouse protecting the place so she doesn’t get her other eye shot out.”
Alexa Vega, who Rodriguez fans might recognize from the Spy Kids series, makes a very grown-up turn as Killjoy. “Killjoy’s such a badass, out-there character. I’ve never played anything like her. I was pretty quick to jump on when Robert mentioned it,” Vega says.
Vega, who has known Rodriguez since she was eleven, has a theory about the female characters in his films. Vega explains: “The women in Robert’s life have all been strong women. When his sisters come into a room, they command the room. I think because he grew up with these women in his life, he’s able to really put that on the screen, especially when you have somebody like Salma Hayek.”
“It’s always been that way, and it’s never anything planned,” Rodriguez comments. “I grew up with five sisters. When you understand a woman’s strength, that comes across in a movie. I go for that feeling of just seeing their true, strong selves coming through, and letting that be a highlight of the movie. Michelle Rodriguez and Amber Heard were going at it, and they were just so amazing, and so fun. You can make a whole movie just about them.”
Tom Savini and William Sadler round out the cast. Rodriguez and William Sadler had worked together on Rodriguez’s 1994 film Roadracers. Sadler comments on his character, Sheriff Doakes: “He’s got a real bias against Latinos, which he doesn’t hide. It just falls right out of his face, and it’s scary how it rolls off the tongue. Doakes is crooked to the core.”
Despite the all-star talent, Machete Kills was shot on a limited budget, and at a breakneck pace. “The choice was to shoot like we’re twenty years old or don’t make the movie,” Rodriguez says. “We shot fast and furious. What’s great about that is that you fly so free at that moment. You get out of the way because you have to just let it flow, and go with the moment, and go with what’s happening. Everybody just had a blast because of that. I think it was the most fun I’ve had making a movie.”
Part of Rodriguez’s technique involved shooting the cast when they rehearsed: “We shoot the rehearsal because you never want to feel like we’re actually doing it. We don’t want to make it that official. I think that helps,” Rodriguez says.
Michelle Rodriguez notes that there is something relaxed and playful about filming at Troublemaker, Rodriguez’s Austin studio. “It’s free. I like to be free. I like to not have to worry about what I say, or worry about how I’m acting, or worry how people are going to receive me as a person, which is something that you encounter a lot in Hollywood. When you come down to Austin, you’re working at Troublemaker, you don’t have to worry about that. No bleeps necessary.”
The structure of the screenplay, coupled with actor availability, often made each twelve-hour workday feel like its own complete film shoot. Rodriguez explains: “Lady Gaga showed up and we’re picking her costumes, and I’m giving her new lines. She comes in and she nails them, and goes from one part to the next, and I’m adding more stuff for her to do, and she leaves with a finished poster of her character at the end of that day. And it feels very surreal.”
Although unusual, the tight, staggered production schedule allowed for Rodriguez to focus on each character’s journey in Machete Kills. “You really concentrate on one actor at a time. When Amber showed up the first week, it was ‘Amber Heard Week.’ And then Michelle Rodriguez overlapped with her and that led into Sofia Vergara for two days of ‘Sofia World.’ Cuba Gooding Jr. is there for a day, Antonio is there for a day, Lady Gaga is there for one day, Charlie Sheen is there for one day. You get to concentrate on each person and make the arc of their character work within those days,” Rodriguez explains.
Part of Michelle Rodriguez and Amber Heard’s overlapping schedules involved one of the film’s biggest fight sequences. “One of my favorite scenes is the fight with Michelle Rodriguez because it is in many ways a dance. You have to learn a choreography, you have to learn your steps,” Heard says.
In addition to fight choreography, Heard had to learn how to handle a weapon. “They’re not your everyday shooting range, let’s-go-shoot-skeet-with-your-dad type of weapons,” Heard notes. “It’s not easy, especially with nails and the whole gig. But I didn’t do this job so it would be easy, that’s for sure.”
Rodriguez’s familiarity with Trejo allowed him to focus on the rest of the ensemble without worrying about slighting the production. “It’s hard to remember a time I didn’t work with Danny Trejo,” Rodriguez explains. “I had so many other actors to deal with that I just kept thinking, ‘We’ll just save Danny. I’ll shoot him at the end of the day.’ Danny would get very little time. And there was something magic about that because he didn’t even need any time. I could turn to him and I would get it in one take.”
One of Trejo’s most memorable moments involved facing off with the one and only Mel Gibson: “I threw down my sword, and Robert said, ‘Why are you throwing down your sword, Danny?’ I said, “I’m not fighting William Wallace. What, are you kidding? He saved Scotland.’ We have this unbelievable swordfight. I loved working with Mel. He was amazing.”
The appreciation is mutual. Gibson was glad to learn that Trejo is nothing like Machete. “He’s just your ordinary guy, but on screen he comes across like this really mean, tough guy. But he’s a pussycat,” Gibson says of Trejo.
Goggins agrees that to see Danny Trejo is very different than to know him. “I think he really is Machete. He scared the shit out of me the first time I saw him. And then he started talking, and I was like, ‘You’re a softie, man. You’re just a sweetheart is what you are.’”
Sadler notes that Trejo’s talent shines in Machete’s silences. “Machete doesn’t talk a lot, but he stood there with this noose around his neck, and he gave it all back. I have a four-page monologue with him, and he has nothing to say in return. But he was there. He was feeding me back plenty, as if there was another person in the conversation with me, even though he had nothing to say,” Sadler says.
Similarly, Vega loved watching Vergara take her take-no-prisoners character to the next level: “Working with her on this set, she plays a mad woman. She has a twisted mind in this film, and I think it’s great to see her portrayed that way in such a different light is. It’s outrageous, and she’s owning it,” Vega comments.
Machete costume designer Nina Procter returns for Machete Kills -- and she brought a machine gun bra with her. “When you put that outfit on, you really start feeling the essence of the character. That happens to me personally,” Vergara says. “It’s amazing. This bra that my character has to wear -- when I put it on, I feel like I can do anything, or kill anyone, and be crazy with it.”
Despite the production’s playful, relaxed demeanor, Rodriguez always strived to bring the most out of his actors: “Robert is still very soft spoken. Between takes he’ll come up to you and tell you what he wants. He doesn’t yell it in front of everybody. And he really wants to get it exactly the way he wants it,” Tom Savini says.
“[Robert] really is an artist,” Heard agrees. “I looked at him once when he was filming a take, and he was just strumming a guitar, and I thought it kind of summed up Robert Rodriguez. He’s a creative person. He’s just in it to create, and he does exactly what he wants to do, and that’s unusual.”
“What you get with Robert is this child-like enthusiasm for filmmaking, and it’s infectious. You know you’re taken along on this ride with him, and he’s bold, and he’s not afraid to not have all the answers,” Goggins adds.
When the cast wasn’t shooting at Troublemaker, they ventured out into the city of Austin. Sadler shot The Hot Spot with Don Johnson and Virginia Madsen in Austin in 1990, but had not worked there in the years since. “I remember my fondest memories of Austin back then were of walking down the street. There was music coming out of every doorway,” Sadler recalls. “There’s a band on the first floor, and there’s a band on the second floor, and there’s a band in the alley playing, and it was just like the place was percolating music. It oozed music, and it still does.” For Rodriguez, Machete Kills offered a chance to be as creative and inventive as humanly possible. “The whole series is completely wacky. There are no rules. There’s something really exciting about that,” Rodriguez says. “I think that’s why it attracts a lot of actors: anything goes. There’s nothing that an actor, or performer, or creator, or a filmmaker likes more than creative freedom. If you have a project where the job is to be completely free creatively, well that’s no job at all. That’s easy. That’s fun. That’s play.”
About the Cast
Danny Trejo (Machete)
has developed a prolific career in the entertainment industry, yet
his road to success has been hard earned and anything but typical.
From imprisonment to helping young people battle drug addiction,
acting to producing, the name, face, and achievements of Danny Trejo
are well recognized in Hollywood.
Danny
Trejo grew up on the streets of Los Angeles. Despite spending the
latter part of his youth and early adulthood incarcerated, he has
risen to become a great actor and a better person. Upon his release
from Soledad Prison, Danny became involved in programs aimed at
helping those who, like him, battled or are battling drug and alcohol
addictions.
Years later, Danny went to the
set of RUNAWAY TRAIN to offer support to a man he’d been
counseling. He was immediately offered a role as a convict. Danny has
since gone on to star in dozens of films including: DESPERADO, the
FROM DUSK ‘TIL DAWN film series, HEAT (Robert De Niro, Al Pacino),
CON AIR (Nicolas Cage), ONCE UPON A TIME IN MEXICO (Johnny Depp), and
the series of SPY KIDS movies. Trejo can also be seen in the
independent films SHERRY BABY (Maggie Gyllenhaal), A VERY HAROLD
& KUMAR: CHRISTMAS IN 3D (John
Cho, Kal Penn, Neil Patrick Harris),
and Rob Zombie films
THE DEVIL’S REJECTS and HALLOWEEN.
He was seen in Robert Rodriguez and Quentin Tarantino’s GRIND
HOUSE which led to a spin-off movie from the original trailers called
MACHETE, in which Danny plays the anti-hero of the story, an
ex-federale with a gift for wielding a blade who hides out as a
day-laborer and is double-crossed by a corrupt state senator.
Danny reprised his role in
MACHETE KILLS, the second in the Machete trilogy that will be
released in October 11, 2013 with Mel Gibson, Charlie Sheen, and
Amber Heard. In addition, he has finished shooting DEAD IN TOMBSTONE
alongside Anthony Michael Hall and Mickey Rourke with Universal
Pictures which is scheduled to be released in the Fall of 2013.
Danny plays Guerrero Hernandez, who, faced with death after being
double-crossed by his half-brother, makes a deal with the devil to
come back from the dead to seek his revenge. A number of Danny’s
films were recently released on DVD, including BAD ASS, in which he
stars as a Vietnam War veteran who sets out to find the murderer of
his best friend. DEATH RACE: INFERNO; the third installment in the
Death Race where Danny reprises Goldberg from DEATH RACE 2. Most
recently, Trejo starred in BULLET with Jonathan Banks, the story of a
cop who takes the law into his own hands when his grandson is
kidnapped. He recently wrapped Disney’s MUPPETS…AGAIN with Tina
Fey and Ray Liotta set to be released in 2014. In addition, Danny
reprised his role of Frank Vega in the recently wrapped film BAD ASS
2, in which he stars alongside Danny Glover.
Danny has appeared in numerous
television shows. Danny has had a recurring role on the FX show Sons
of Anarchy, which he
has been a part of for two seasons. He also had a recurring role on
the series King of the
Hill. Trejo played a
part in the Warner Bros. animated series Young
Justice, which aired
on Cartoon Network, voicing the character of Bane, Batman’s
Nemesis. Trejo’s other credits include roles on shows such as
Cartoon Network’s The
Annoying Orange, Fox’s
Bones, Modern Family,
Breaking Bad,
starring Bryan Cranston, and TNT’s Franklin
and Bash, starring
Breckin Meyer. Danny has recently signed on as a series regular on
the FX show Saint
George which focuses
on a divorced George Lopez and his attempt at balancing his new found
success as a businessman and his hectic family life. In his first
series regular role, Danny plays the character Tio, George’s uncle,
a competitive but loveable man who always lives life to the fullest.
In addition to acting, Danny
works as a producer and formed his production company “Starburst”
where his first endeavors into producing were the award winning short
AN EYE FOR TALENT followed by THE ANIMAL FACTORY, directed by Steve
Buscemi. Danny went on to create “Trejo 4.0 Productions” which
produced the film “High Hopes,” and was acquired by Maple
Pictures/Lionsgate Canada. The company is currently developing
“Little Boy Blue” based on Edward Bunker’s novel.
Despite his impressive list of
credits, it’s his continual role as a devoted father of three and
as an intervention counselor that bring him the most satisfaction.
MICHELLE RODRIGUEZ (Luz / Shé)
is
a versatile actress known for her ability to combine physicality with
natural beauty and sex appeal. She was recently named one of
the hottest Latina
Actresses in
Hollywood by the Huffington Post.
Rodriguez
was most recently seen reprising her roll of Letty in the latest
installment of the Fast
& Furious franchise, Fast
& Furious 6. Starring
opposite Vin Diesel, Dwayne Johnson, and Paul Walker, the Universal
Pictures film opened to $120 million, the fourth-highest debut in
history for a Memorial Day weekend movie, and to date has amassed
over $785 million dollars worldwide in box office grosses.
This
summer Rodriguez co-starred alongside Ryan Reynolds, Michael Peña
and Paul Giamatti in David
Soren’s animated feature
for Dreamworks. Turbo, a
high velocity 3D comedy, tells the story about an underdog snail who
kicks into overdrive when he miraculously attains the power of
super-speed.
Also
upcoming, Rodriguez will reprise her role as Shé in Robert
Rodriguez’s Machete
Kills, the
sequel to the 2010 action feature Machete.
Open Road Films is set to release on October 11, 2013.
Additional
credits include James Cameron’s Academy Award® nominated
film Avatar, Emmy® and
Golden Globe® winning
series LOST, as
well as Battle:
Los Angeles, Blue Crush, and S.W.A.T.
Rodriguez
worked as an extra for two years before landing her breakout role in
Karyn Kusama’s Girlfight. Her
portrayal of Diana
Guzman garnered
her awards such as an Independent Spirit Award for Best
Debut Performance,
as well as an NBR award for Breakthrough
Performance.
An
avid video game fan, Rodriguez has also lent her voice to various
popular games including Call
of Duty: Black Ops II, True
Crime: Streets of LA, Driver3,
and Halo
2.
Born
in Bexar County, Texas, she currently resides in Venice, California.
SOFIA VERGARA (Madame
Desdemona) is
one of the funniest
and sexiest stars today and the only Hispanic actress who started her
career in a U.S. Hispanic Network and successfully crossed over to
the general market.
The Emmy, Golden Globe and SAG
nominated actress can currently be seen as 'Gloria Pritchett-Delgado'
in the #1 comedy in America, “Modern Family." "Modern
Family" airs Wednesdays at 9 PM EST on ABC.
This year, Vergara is taking on
the role of executive producer this year for the upcoming ABC
television show “Killer Women,” which follows Molly Parker, the
only female Texas Ranger.
This summer, Vergara filmed two
other star-studded movies slated for release in 2014, Heat
with Jason Statham and Stanley Tucci and Chef
with Jon Favreau and Robert Downey Jr.
Additionally, Vergara is slated
to produce and star in the upcoming buddy comedy Don’t
Mess With Texas
opposite Reese Witherspoon for Universal Pictures. The film will
begin production in 2014.
On the big screen Vergara got her
break on Disney’s comedy Big
Trouble and since then
has starred in films such as Smurfs, The Three Stooges, New
Year’s Eve, The
24th
Day, Four
Brothers, Lords
of Dogtown, and Tyler
Perry’s box office sensations Meet
The Browns and Madea
Goes To Jail. Vergara
recently lent her voice to the Weinstein animated film Escape
From Planet Earth and
Happy Feet 2.
Her past appearances on prime-time TV include “Dirty Sexy Money,”
“Entourage,” “Hot Properties,” and "The Knights of
Prosperity,” among many others.
On stage, Vergara earned raves
reviews when she debuted on Broadway’s “Chicago” as ‘Mama
Morton.’
In the Hispanic market some of
her past TV credits include “Fuera de Serie” and “A Que No Te
Atreves” as well as her special guest appearance on 2008’s
highest rated Spanish language soap opera “Fuego en la Sangre” on
Univision (#1 U.S. Hispanic network). Additionally she executive
produced the Spanish version of “Desperate Housewives.” The
Hollywood Reporter and Billboard have also named her one of the most
talented and powerful women in Hispanic entertainment.
When she’s not acting, Vergara
can be found designing her line for Kmart. The line, ‘Sofia by
Sofia Vergara’ includes women’s clothing, accessories, shapewear,
swimwear, jewelry, luggage and home goods and is available
exclusively for Kmart. Vergara is also the face of CoverGirl and Diet
Pepsi. This will be her third year working with both brands. This
fall Vergara will launch the Sofia Vergara Collection in furniture
retailer Rooms To Go. The collection will initially be comprised of
living rooms, bedrooms, dining rooms and accessories.
In 2001, Vergara created "Peace
and Hope for the Children of Colombia," a charity foundation
that has helped thousands of children in her country and has donated
a pediatric cancer pavilion in her native Barranquilla. She currently
dedicates her time giving back to this charity in her home of
Colombia.
Sofia currently splits her time
between LA and NY with her son Manolo.
AMBER HEARD (Miss San Antonio)
is as stunning as she
is talented and is making waves with her captivating performances on
the big screen.
Heard will next star in Robert
Luketic’s Paranoia
opposite Harrison Ford, Liam Hemsworth and Gary Oldman. The film will
be released by Relativity Media on August 16th. She also will star in
McG’s Three Days to
Kill opposite Kevin
Costner and Hailee Steinfeld, which will be released on February 14,
2014.
Additionally, her film All
the Boys Love Mandy Lane,
which premiered at the 2006 Toronto Film Festival, will be released
by The Weinstein Company in theaters this fall. She will soon begin
production on Eran Creevy’s Autobahn
opposite Zac Efron.
She was last seen starring in
Bruce Robinson’s The
Rum Diary opposite
Johnny Depp and John Carpenter’s The
Ward, which premiered
at the 2010 Toronto Film Festival. She also starred in the
independent film, And
Soon The Darkness, in
which she additionally served as a co-producer.
In 2009, Heard starred in the box
office hit, Zombieland
opposite Woody Harrelson, Bill Murray and Jesse Eisenberg. She also
starred in the suspense thriller, The
Stepfather, with Sela
Ward, Dylan Walsh and Penn Badgley. In 2008 she garnered attention
for her role in the comedic hit, Pineapple
Express with Seth
Rogen and James Franco. Heard received a 2008 Young Hollywood Award
for her breakthrough performance in the film.
She was also seen in the Academy
Award-nominated film North
Country, in which she
played Charlize Theron’s character in flashbacks. Her other film
credits include: Syrup,
Drive Angry 3D,
The Joneses,
Never Back Down,
Alpha Dog
and Friday Night
Lights.
On television, Heard starred on
The CW drama Hidden
Palms and had guest
starring roles on Showtime’s Californication
and CBS’s Criminal
Minds.
Heard is originally from Texas
and currently resides in Los Angeles where she is actively involved
with Amnesty International. She also serves as the face for the Guess
advertising campaign.
ANTONIO BANDERAS (El Camaleon)
is irrefutably one of the leading international actors of his
generation, since his introduction to American cinema in the highly
acclaimed Mambo Kings. He has received critical praise for his
performances in film, television and theater, as well as behind the
scenes as a feature film director. In 2005, he was honored with a
Star on the Hollywood Walk of Fame.
His second directorial feature is
the Spanish film El
Camino De Los Ingleses
(titled Summer Rain
in the U.S.). A coming of age story, the film follows the first
loves, lusts and obsessions of friends on vacation at the end of the
1970s. He made his directorial debut with Crazy
in Alabama starring
his wife Melanie Griffith.
Banderas stole the show in the
2004 blockbuster animated film Shrek
2 as the voice of
“Puss in Boots.” He reprised this role in the widely
anticipated sequel Shrek
the Third, the ABC
Christmas special Shrek
The Halls, and the
fourth installment of the franchise Shrek
Forever After.
In 2003, Banderas earned a Tony
nomination for Best Actor in a Musical for his Broadway debut in the
Roundabout Theater Company production of NINE,
a musical inspired by Fellini’s 8 ½. He also received a Best
Actor Drama Desk Award, Outer Critics Circle Award, Drama League
Award and Theatre World Award. NINE,
directed by David Leveaux, also starred Chita Rivera.
Banderas has worked with some of
Hollywood’s best directors and leading actors including Robert
Rodriquez’s Desperado
opposite Salma Hayek and the sequel Once
Upon a Time in Mexico
opposite Johnny Depp; Original
Sin opposite Angelina
Jolie; Alan Parker’s Evita
opposite Madonna, in which he received his first Best Actor Golden
Globe nomination; Martin Campbell’s The
Mask of Zorro opposite
Catherine Zeta-Jones, in which he received his second Best Actor
Golden Globe nomination, and the sequel The
Legend of Zorro; Neil
Jordan’s Interview
with a Vampire with
Tom Cruise and Brad Pitt; Jonathan Demme’s Philadelphia
opposite Tom Hanks and Denzel Washington; Bille August’s House
of the Spirits with
Meryl Streep and Glenn Close; and Brian de Palma’s Femme
Fatale.
Other film credits include the
Take the Lead,
Spy Kids trilogy,
Miami Rhapsody,
Four Rooms,
Assassins,
Never Talk to
Strangers, Two
Much, The
13th Warrior, Play
it to the Bone and
Ballistic: Ecks vs. Sever.
He was nominated for his third
Best Actor Golden Globe for his performance as the infamous Pancho
Villa in HBO’s 2003 release of And
Starring Pancho Villa as Himself.
Born in Malaga, Spain, Banderas
attended the School of Dramatic Arts in his hometown, and upon
graduation he began his acting career working in a small theater
company based there. He later moved to Madrid and became an ensemble
member of the prestigious National Theater of Spain.
In 1982, Banderas was cast by
writer/director Pedro Almodovar in Labyrinth
of Passion. It was
the first of five films Banderas would do with Almodovar, the others
being Matador,
Law of Desire,
Women on the Verge of a
Nervous Breakdown and
Tie Me Up! Tie Me Down!
The international
success of these films introduced to him to Hollywood. Banderas is
now set to appear in La
Piel Que Habito (The
Skin That I Inhabit),
written and directed by Almodovar – reuniting with him after 21
years.
He can most recently be seen in
Woody Allen's You Will
Meet A Tall Dark Stranger
for Sony Classics, in which he is a part of an all star cast that
includes Naomi Watts, Anthony Hopkins, Josh Brolin and Freida Pinto.
He also stars in the action thriller The
Big Bang, directed by
Tony Krantz, and will appear alongside Channing Tatum and Ewan
McGregor in Steven Soderbergh's Knockout
for Lionsgate. He recently starred with Laura Linney and Liam Neeson
in The Other Man,
directed by Richard Eyre.
Banderas can be seen in the film
Black Gold,
directed by Jean
Jacques Annoud,
opposite Freida Pinto, Mark Strong, and Tahar Rahim. He was also the
voice lead for the animated film Puss
in Boots, alongside
Salma Hayek. Banderas was last seen in Ruby
Sparks opposite
Annette Bening and Paul Dano.
Antonio will next be seen
in the upcoming project, I’m
So Excited, directed
by Pedro Almodovar, starring alongside Paz Vega and Penelope Cruz.
With an October 4th
release date, Banderas will be seen in Machete
Kills, directed by
Robert Rodriguez
starring alongside Mel Gibson, Amber Heard, and Jessica Alba.
Banderas will also play the voice of Sir Clorex in the upcoming
animated film Justin
and The Knights of Valour
starring alongside Mark Strong, and Julie Walters. Banderas has also
signed on to play Jacq Vaucan in Gabe Ibanez Sci-Fi Thriller Automata
alongside Dylan McDermott and Melanie Griffith.
CUBA GOODING, JR. (El
Camaleon) is best
known for his Oscar winning portrayal of the charmingly arrogant pro
football player Rod Tidwell in Cameron Crowe’s Jerry
Maguire. Gooding was
born in the Bronx and moved to Los Angeles at the age of 4.
In 1991, he received critical
acclaim his portrayal of Tré Styles in John Singleton’s
coming-of-age classic Boyz
in the Hood, which
earned him ShoWest’s Newcomer Award. He followed this success with
roles in numerous critically acclaimed major films, such as As
Good as It Gets, What Dreams May Come,
and the Oscar-nominated A
Few Good Men.
In 1997, Gooding was honored with
the Academy Award for Best Actor in a Supporting Role for his
performance in Jerry
Maguire. In addition
to the Academy Award, Gooding was presented with the Screen Actors
Guild Award, the Broadcasters Film Critics Award, the Critics Choice
Award and the Chicago Film Critics Award.
Gooding’s versatility as an
actor is exemplified by the diversity of the roles he has played. His
repertoire has grown to include major roles in numerous critically
acclaimed films including Men
of Honor,
Pearl Harbor,
Radio, American
Gangster, Shadowboxer and
this year’s
George Lucas-helmed Red
Tails.
He has also appeared in
award-winning movies for television including Gifted
Hands: The Ben Carson Story
and this year’s Firelight
– the highest-rated Hallmark Hall of Fame movie ever.
Gooding
will next be seen on the big screen in Joseph Gordon Levitt’s
directorial debut, Don
Jon’s Addiction, Robert
Rodriquez’s sequel to
Machete, Machete Kills and
Lee Daniels’ highly anticipated film,
The Butler.
Gooding has also explored other
aspects of filmmaking – in 1993 he co-produced and starred in the
well-received thriller A
Murder of Crows. His
film company, Dudley Pictures, is currently involved in several
projects in development for film and television.
In 2002, Gooding received a star
on the Hollywood Walk of Fame honoring his extraordinary
achievements.
WALT GOGGINS (El Camaleon) is
an Emmy-nominee for his pivotal role as ‘Boyd Crowder’ on FX's
Peabody Award-winning Drama series, "Justified." He was
also nominated by The Broadcast Television Journalists Association
(BTJA) for their inaugural Critics’ Choice Television Awards, in
the category of “Best Supporting Actor in a Drama Series.”
Goggins recently had a
stellar role in Quentin Tarantino’s Django
Unchained, playing the
ultimate Bad Guy and nemesis to Jamie Foxx's slave-turned-bounty
hunter 'Django' and the vicious underling of Leonardo
DiCaprio's brutal Mississippi plantation owner 'Calvin
Candie.' Goggins had already been cast in the film, and he
ended up assuming the 'Ace Woody' role that was first to be
played by Kevin Costner, then Kurt Russell. The Weinstein
Co released the film on Christmas Day '12.
In stark contrast to his role
in Django
Unchained, Walton
played the diametrically opposed Ohio Congressman ‘Clay Hawkins,’
a progressive Democrat who ultimately goes against his party and
votes in favor of the Thirteenth Amendment to abolish slavery
in Steven Spielberg’s critically acclaimed feature Lincoln.
The historical drama produced by DreamWorks and released by Disney
focuses on the political collision of Abraham Lincoln (Daniel Day
Lewis) and the powerful men of his cabinet on the road to abolition
and the end of the Civil War. The
stellar ensemble cast also includes Sally
Field, David Strathairn, Tommy Lee Jones, Hal Halbrook, Joseph
Gordon-Levitt and James Spader.
Goggins can currently be seen in
Paramount’s action feature, G.I.
Joe 2: Retaliation,
directed by Jon M. Chu and starring Bruce Willis, Channing Tatum and
Dwayne Johnson.
In "Justified," which
just completed its fourth season, Goggins' 'Boyd,' is the long time
friend, yet ultimate nemesis to 'U.S. Marshal Raylan Givens' (Timothy
Olyphant). Jeremy Egner of The
New York Times writes,
"Olyphant may embody the steely-eyed, white-hatted hero on
'Justified,' but Walton Goggins supplies the show's tortured soul.”
Elmore Leonard, executive
producer and writer of the short story "Fire in the Hole"
on which the show is based, says of 'Boyd,' "There has never
been a more poetic bad guy on television in the way that he sees the
world." Goggins received an Emmy nomination for his performance
in the show’s second season.
This past year, Goggins made a
riveting, surprise guest-appearance on the highly- rated FX drama
series, “Sons of Anarchy,” playing a transgender escort named
‘Venus Van Dam’ (a play on his character Shane’s alias of
‘Cletus Van Damme’ on “The Shield”) who was hired by ‘Jax’
(Charlie Hunnam) to help blackmail a city councilman with
incriminating photos. The role has generated much buzz in Hollywood
and, according to “Sons of Anarchy” creator Kurt Sutter (who also
wrote on “The Shield”), is the most disturbing sex scene he has
ever written.
Goggins previously garnered much
acclaim for his riveting portrayal of 'Detective Shane Vendrell' on
FX's gritty, award-winning drama series, "The Shield." In
2009 he was personally nominated for a Television Critics Association
(TCA) Award in the category of "Individual Achievement in
Drama." In addition, New
York magazine singled
out his performance as one of the highlights of television.
Entertainment Weekly, TV Guide,
Variety, and
The Hollywood Reporter
all consistently
listed Goggins as their choice for an Emmy nomination. In the fall
of 2008, "The Shield" ended its successful seven-season
run, earning the honor of #1 in Time
magazine's Top 10
Television Series, as well as being named one of AFI's Top Television
Programs of the Year for 2008.
In the summer of 2011, Goggins
starred in director Jon Favreau's action feature Cowboys
& Aliens,
alongside Daniel Craig and Harrison Ford. The story is set in 1873,
when a spaceship arrives to take over Earth, starting with the Wild
West. All that stands in their way is a posse of cowboys. Goggins
also appeared in Rod Lurie's adaptation of the controversial Sam
Peckinpaw film Straw
Dogs, alongside James
Marsden and Kate Bosworth. Screen Gems released.
Previously, Goggins starred in
writer/producer Robert Rodriguez's feature Predators,
for Twentieth Century Fox. Predators,
the sequel to the 1987 blockbuster Predator,
revolved around a group of humans who were abducted by creatures
known as 'Predators' and set loose on their alien planet to be hunted
and killed for sport. Goggins played the multi-dimensional role of
notorious serial killer 'Walter Stans,' who comes full circle as the
group fights for survival and in the end, makes the ultimate
sacrifice for his team.
Goggins has been working in front
of the camera for well over fifteen years, starring in countless
television shows and feature films. He had the distinct honor of
playing 'Sammy,' Robert Duvall's trustworthy friend, in The
Apostle. Additional
film credits include Spike Lee's Miracle
at St. Anna, Fragments
with Kate Beckinsale
and Guy Pierce, The
World's Fastest Indian
opposite Anthony Hopkins, The
Bourne Identity,
Shanghai Noon
opposite Jackie Chan and Owen Wilson, Major
League III, and Billy
Bob Thornton's Daddy
and Them.
Taking his turn behind the
camera, Goggins and his partners at Ginny Mule Pictures, won an
Academy Award for their short film, "The Accountant," which
he produced and starred in. The Academy Award-winning team produced,
directed and starred in their first feature, Chrystal,
starring Billy Bob Thornton, which was accepted into the 2005
Sundance Film Festival's Dramatic Competition. For their third
collaboration, Goggins produced and starred in the feature Randy
and the Mob, which won
the Audience Award for Best Feature at the 2007 Nashville Film
Festival.
Goggins
and his Ginny Mule partners completed their fourth feature, That
Evening Sun, starring
Hal Holbrook and Goggins, who also produced. The film made its world
premiere at the South By Southwest (SXSW) Film Festival in Austin, TX
in March 2009, where it won the Narrative Feature Audience Award and
received the Special Jury Award for “Best Ensemble Cast.” The
film continued its run winning awards at over 14 film festivals,
culminating with the honor of the "Wyatt Award" from the
Southeastern Film Critics Association (SEFCA) and two Independent
Spirit Award nominations.
Goggins also takes time to lend a
hand to various non-profit organizations, including Global Green USA,
which is committed to sustainable development and the legislation to
support it. He often participates in the organization's activities
and events, mostly recently hosting a special screening of the film
"That Evening Sun" to raise funds for Global Green's
international efforts to aid Haitian earthquake victims.
In his limited free time, the
busy actor enjoys traveling the world and has spent time in Vietnam,
Cambodia, Thailand, Central America and Morocco, as well as India
last spring. Goggins is an avid photographer and has captured many
of his journeys on film. Photographs from his trip to India can be
viewed at http://hindutoyoutoo.blogspot.com.
WILLIAM SADLER (Sheriff
Doakes) has
had an extraordinary acting career in motion pictures, television,
and on Broadway, but perhaps is best recognized for his roles in
feature films such as THE SHAWSHANK REDEMPTION, THE GREEN MILE, THE
MIST and DIE HARD 2.
Sadler has
recently been seen in IRON MAN 3, MAN ON A LEDGE, and will appear in
the upcoming season of Homeland. Recently completed indie films
include, FUTURE WEATHER with Amy Madigan, GREETINGS FROM TIM BUCKLEY,
and FRANK THE BASTARD. William Sadler’s other film credits
include: AUGUST RUSH, EAGLE EYE, KINSEY, THE LAST DAY OF SUMMER,
THE HILLS RUN RED, RUSH, HARD TO KILL, BILL AND TEDS BOGUS
JOURNEY, THE HOT SPOT, ROCKET MAN, TRESPASS, DISTURBING BEHAVIOR,
WITNESS PROTECTION, and BATTLE OF SHAKER HEIGHTS.
Sadler’s
wide range of TV credits include the famous Marine Col. Chesty Puller
in the award winning HBO mini-series THE PACIFIC, the inimitable Gino
Fish in Tom Selleck’s JESSE STONE series of TV movies as well as
John McGarrett (Steve’s dad) in the hit CBS series HAWAII FIVE O.
He starred for three years as Sheriff Jim Valenti in the WB series
ROSWELL, and over the years has also appeared in FRINGE, WHITE
COLLAR, CHASE, DEEP SPACE NINE, THREE RIVERS, MERCY, CRIMINAL
MINDS, MEDIUM, TRAVELER, WONDERFALLS, CSI, and LAW AND ORDER.
William
Sadler started his acting career on the stage in New York and has
returned to his first love, the theater, again and again. He created
the role of Sgt. Toomey in the original Broadway cast of BILUXI
BLUES. Sadler created the role of Samuel Clemens in the world
premiere of John Guare’s A FEW STOUT INDIVIDUALS. He appeared with
Al Pacino in ARTURO UI and also played Caesar opposite Denzel
Washington on Broadway in Shakespear’s JULIUS CEASAR. Sadler’s
most recent outing on Broadway was in 2009 opposite Geoffrey Rush
and Susan Sarandon in the critically acclaimed, Tony Award winning
play by Eugene Ionesco, EXIT THE KING.
DEMIAN BICHIR (Mendez)
is one of the most well-known and well-respected actors in his home
of Mexico and the U.S. He received a 2012 Academy Award, SAG Award
and Independent Spirit Award nomination for his portrayal of an
undocumented gardener trying to connect with his estranged teenage
son in Chris Weitz’s feature A
Better Life.
Bichir recently appeared in Paul
Feig’s comedy The
Heat with Sandra
Bullock and Melissa McCarthy. His FX original series “The Bridge”
premiered to rave reviews in July. From Executive Producers Meredith
Stiehm (Homeland) and Elwood Reid, the series centers on two
detectives (Demian Bichir and Diane Kruger) who must work together to
hunt down a serial killer operating on both sides of the U.S.-Mexico
border. Bichir will make his directorial debut with the film he
wrote, Refugio,
which will shoot in Mexico and the U.S. in the fall.
Bichir became known to U.S.
television audiences for his portrayal of Esteban Reyes opposite
Mary-Louise Parker in the hit Showtime series Weeds.
He also portrayed a powerful young Fidel Castro in Steven
Soderbergh’s Che
opposite Benicio Del Toro. In 2012 he starred in Oliver Stone’s
Savages and
the independent film The
Runway for director
Ian Power.
He recently wrapped production on
the independent film Dom
Hemingway, starring
opposite Jude Law, as well as the lead role in the independent film
Death in Buenos Aires.
In Mexico, Bichir is an Ariel
Award winner for Best Actor, given by the Mexican Academy of
Cinematography, and has received numerous other nominations and
prestigious honors including a Medal of Honor for Merit in the Fine
Arts, given by the Legislative Assembly of Mexico City.
Bichir comes from a well-known
and highly respected theatrical family. He is the son of famed
theater director Alejandro Bichir and acclaimed actress Maricruz
Nájera. His brothers Odiseo and Bruno are also two of the most
talented actors of their generation. Bichir has amassed an impressive
resume of theater credits in Mexico and recently completed the
starring role in the theater adaptation of the film Swimming with
Sharks in Mexico City, directed by his brother Bruno Bichir. Bichir’s
work in theater includes Shakespeare’s “A Midsummer Night’s
Dream” and “Richard The III,” Strindberg’s “The Ghost
Sonata,” Peter Shaffer’s “Equus,” Eugene O’Neill’s “Ah!
Wilderness,” Neil Simon’s “Broadway Bound” and “The Odd
Couple,” David Halliwell’s Little Malcolm and his Struggle
Against the Eunuchs, and Sabina Berman’s “Extras.” Bichir also
impressed U.S. audiences in 2008, starring in the play “By the
Waters of Babylon,” which opened at the Geffen Playhouse in Los
Angeles.
Bichir is also starring in
Guillermo Arriaga’s upcoming collaboration of short films titled
“Words With Gods.” His most memorable Latin American credits
include Rojo Amanecer (winner of the Grand Jury Prize in the San
Sebastian Film Festival), Alex de la Iglesia’s Perdita
Durango with Javier
Bardem, Hasta Morir
(Best Actor Ariel winner, the Mexican Academy of Cinematography), Sin
Noticias de Dios with
Victoria Abril and Penélope Cruz, the Showtime feature film “In
the Time of the Butterflies” in which he starred opposite Salma
Hayek, Sex, Shame and
Tears (Ariel Best
Actor nominee), American
Visa (Best Foreign
Film nominee at the Goyas in Spain), Fuera
del Cielo, Enemigos
Intimos and Hidalgo,
The Untold Story
(Ariel Award nominee and winner of the Best Actor award at the Huelva
Film Festival in Spain).
Bichir resides in Los Angeles and
Mexico City.
MEL GIBSON (Luther Voz)
was born in upstate New York and moved with his family to Australia
when he was 12 years old. Gibson attended the National Institute of
Dramatic Arts at the University of New South Wales in Sydney. His
stage appearances include "Death of a Salesman."
Gibson was eventually brought to
the attention of director George Miller who cast him in Mad
Max, the film that
first brought him worldwide recognition. This was followed by the
title role in Tim.
Gibson's portrayal of a handicapped young man won him an Australian
Film Institute Best Actor Award.
He was further established as an
international star by the two hit sequels to Mad
Max--The
Road Warrior and Mad
Max Beyond Thunderdome--along
with Peter Weir's Gallipoli,
which brought Gibson a second Australian Best Actor Award. A few
years later, Weir and Gibson again collaborated on The
Year of Living Dangerously.
Gibson made his American film
debut in The River.
Also, he starred in the worldwide record breaking Lethal
Weapon (1, 2, 3, and
4) franchise. Gibson's other films include The
Bounty, Mrs.
Soffel, Tequila
Sunrise, Bird
on a Wire, Air
America, and Hamlet.
Hamlet,
directed by Franco Zeffirelli, was the first film produced by
Gibson's production company, Icon Productions. The role brought him
the William Shakespeare Award from the Folger Theatre in Washington,
DC. Also, he starred in the Icon produced Forever
Young and Maverick.
Gibson made his directorial debut and starred in The
Man Without A Face,
another Icon production. The company has also produced Immortal
Beloved and Airborne,
among others.
In 1995, Gibson produced,
directed and starred in the critical and box office success
Braveheart,
which was the recipient of five Academy Awards including Best Picture
and Best Director, after receiving a leading 10 nominations. Gibson
received a Golden Globe Award for Best Director as well. Also, he
received a Special Achievement in Filmmaking Award given by the
National Board of Review and was honored as the 1996 NATO/ShoWest
Director of the Year, as well as being the recipient of the Best
Director Award given by the Broadcast Film Critics Association.
In 1996, Gibson starred in
Ransom,
directed by Ron Howard for Disney’s Touchstone Pictures. A remake
of the 1956 MGM picture tells the story of a New York millionaire who
must employ daring tactics to retrieve his kidnapped son. He
received a Golden Globe nomination for Best Actor in a Motion Picture
(Drama), as well as winning the People’s Choice Award for Favorite
Motion Picture Actor.
In August of 1997, Gibson starred
in the romantic-thriller Conspiracy
Theory, co-starring
Julia Roberts and directed by Richard Donner for Warner Bros. In
July of 1998, Gibson starred in Lethal
Weapon 4, grossing
close to $300 million worldwide.
In
February of 1999, he starred in the hard-edge thriller Payback,
an Icon Production based on Donald F. Westlake’s (writing as
Richard Stark) novel The
Hunter. Payback
was distributed in the U.S. and Canada by Paramount Pictures and
internationally by Warner Bros.
In 2000, Gibson became the first
actor in history to star in three $100 million films (domestic gross)
during the same year. In the summer, Gibson starred in the
emotionally charged adventure The
Patriot as Benjamin
Martin, a reluctant hero who is swept into the American Revolution
when war reaches his home and threatens his family. The Columbia
Pictures release was written by Robert Rodat (Saving
Private Ryan) and
directed by Roland Emmerich. Also, Mel lent his voice as the
all-American rooster named Rocky; in the critically acclaimed
DreamWorks SKG animated adventure comedy, Chicken
Run.
Later that year, he starred as
Nick Marshall, the chauvinistic advertising executive who gets in
touch with his feminine side in the Paramount Pictures/Icon
Productions, smash hit What
Women Want. The
romantic comedy, directed by Nancy Meyers and co-starring Helen Hunt
opened at $33.6 million, that December. For his portrayal, he was
nominated for a Golden Globe as “Best Actor, Motion Picture
Comedy.”
In 2002, Gibson starred in We
Were Soldiers, a film
based on the book We
Were Soldiers Once...And Young,
telling the story of the first battle between U.S. and Viet Cong
troops, in which 400 soldiers were helicoptered in and surrounded by
2000 enemy troops, as told from the vantage point of Harold Moore,
commander of the 1st Battalion, 7th Cavalry, and Joseph Galloway, a
reporter who was on the scene for the 34-day battle. It was directed
and written by Randall Wallace, who was nominated for an Academy
Award for writing Braveheart.
Later that year, he starred in M.
Night Shyamalan’s thriller, Signs,
for Disney, setting Gibson’s opening weekend box office record of
$60 million and grossed an all-time individual record of over $400
million.
In 2004, Gibson produced,
co-wrote and directed The
Passion of The Christ
starring Jim Caviezel, Maia Morgenstern and Monica Bellucci. The Ash
Wednesday release on February 25 grossed an industry-record average
of $41,295 per screen (3043 theaters) totaling a five-day gross of
$125.2 million; giving it the best five-day opening ever, at that
time, for a film with a Wednesday opening. The previous record-holder
had been The Lord of
the Rings: The Return of the King
($124.1 million). The opening three-day weekend numbers totaled
$83,848, 082 (Fri. - $22.9 million, Sat. $33 million, Sun. $27.8
million), making it number eight on the all-time opening weekend
box-office chart at the time. The
Passion of The Christ
had a worldwide box-office gross of $610 million, making it the
highest-grossing R-rated film and highest grossing independent film
in film history. The film was nominated for three Academy Awards.
In 2006, Gibson brought to life
his latest epic, visceral action thriller, Apocalypto.
Gibson produced, co-wrote and directed the thriller that follows one
man's heart-pounding race through primeval jungles to rescue his
family during the fading days of the mysterious, ancient Mayan
civilization. Apocalypto
opened at number one in its opening weekend grossing $15.2 million
and garnered three Academy Award nominations.
Gibson returned to acting in 2009
with GK Films’ Edge
of Darkness, where he
starred as Thomas Craven, a Boston detective who uncovers sinister
government conspiracies when he investigates the brutal shooting
death of his only daughter. The psychological action thriller
was directed by Martin Campbell.
Gibson was in The
Beaver, directed by
Jodie Foster, about a man who finds unusual solace in his beaver
hand-puppet.
Gibson produced, co-wrote and
starred in the Icon Production Get
The Gringo, which
centers on a career criminal who gets caught by Mexican authorities
and is sent to a drug and crime filled prison where he learns how to
survive with the help of a 9-year-old boy. Icon Productions teamed
with Twentieth Century Fox Home Entertainment on a domestic
direct-to-consumer release in partnership with DIRECTV in May 2012.
CARLOS ESTEVEZ / Charlie Sheen
(US President), who
has starred in more than forty feature films, catapulted to fame in
such critical and commercial hits as Platoon
and Wall Street.
His other feature film credits include Red
Dawn, Lucas,
Ferris Bueller's Day
Off, Eight
Men Out, Young
Guns, Major
League, Hot
Shots!, Hot
Shots! Part Deux, The
Three Musketeers, The
Chase, Money
Talks, Being
John Malkovich, Scary
Movie 3, Scary
Movie 4, Scary
Movie 5 and The
Big Bounce. He
also appeared in the television movies Rated
X and Good
Advice.
Sheen became known to television
audiences through his Golden Globe Award-winning lead role in Spin
City. In 2003,
Sheen was cast as Charlie Harper in the CBS sitcom Two
and a Half Men, which
was loosely based on Sheen's bad boy image. The role garnered him an
ALMA Award and three Emmy Awards, as well as two Golden Globe Award
nominations for Outstanding Actor in a Comedy Series.
In 2011, Sheen set a new Guinness
World Record for Twitter as the "Fastest Time to Reach 1 Million
Followers," adding an average of 129,000 new followers per day.
Later
in the year, Charlie kicked off his North American "My Violent
Torpedo of Truth/Defeat Is Not An Option” tour, which sold out in
18 minutes to set a Ticketmaster record.
In September of
2011, Comedy Central’s “Roast of Charlie Sheen” was watched by
6.4 million people, making it the highest-rated roast in the history
of the network.
Sheen
finished the year starring in the upcoming Roman Coppola movie, A
Glimpse Inside the Mind of Charlie Swan III.
On June 28th,
2012, Sheen’s new sitcom, “Anger Management,” debuted.
JESSICA ALBA’s (Sartana)
acting career began at a very early age, as she fell in love with the
craft and became active professionally at the age of 12. After
studying at the Atlantic Theatre Company with founders William H.
Macy and David Mamet, she went on to star in James Cameron’s “Dark
Angel,” gaining worldwide recognition. Her first starring
role in a major studio film was the 2003 release, Honey,
Universal Pictures’ contemporary urban drama that grossed over $60
million worldwide.
In 2005, she starred opposite
Bruce Willis and an all-star cast in the provocative and critically
acclaimed Sin City,
directed by Robert Rodriguez and Frank Miller. She next starred
as Sue Storm “The Invisible Girl’ in Marvel Comics’
action-franchise blockbuster Fantastic
Four, which was
released by 20th Century Fox in July 2005 and became a worldwide
box-office success with over $300 million in revenue.
Jessica was part of Garry
Marshall’s all-star ensemble romantic comedy, “Valentine’s
Day,” which broke box office records with the largest opening on a
four-day President’s Day weekend in history. She starred
opposite Casey Affleck and Kate Hudson in director Michael
Winterbottom’s controversial screen adaptation of Jim Thompson’s
“The Killer Inside Me,” as well as Robert Rodriquez’s
“Machete.” She co-starred in the third installment of the hit
“Meet the Parents” franchise, “Little Fockers,” as well as
the 4D family adventure, “Spy Kids: All the Time in the World,”
marking her third collaboration with Robert Rodriguez. Her
films have earned a combined box office total of over $800 million.
Jessica was part of an all-star
voice cast for The Weinstein Company’s 2013 hit animated adventure,
Escape From Planet
Earth, also featuring
Sarah Jessica Parker, Brendan Fraser and James Gandolfini. She will
be seen later this year in the comedy A.C.O.D,
which premiered at the Sundance Film Festival and stars Adam Scott,
Jane Lynch and Amy Poehler. This fall, she co-stars in Robert
Rodriquez’s star-studded sequel, Sin
City: A Dame to Kill For.
Jessica showcased her comedic
talents as host of the 2006 MTV Movie Awards. She has appeared
in a several iconic endorsement campaigns, including the famous Got
Milk? “milk mustache” campaign, a star-studded 30th Anniversary
campaign for The Gap, and other prestigious campaigns in the U.S. and
internationally. She has been featured in global endorsement
campaigns for such companies as L’Oreal and Revlon, and she has
appeared on countless prestigious magazine covers in the United
States and throughout the world.
While known throughout the world
for her acting career, it is her role as a mother of two girls that
inspired the launch of The Honest Company in January 2012. The
Honest Company is a B Corp (http://bcorporation.net)
and provides families with education and essentials to keep their
families and homes healthy, safe and happy. Through Honest.com,
families purchase the highest quality/performance, beautifully
designed and affordable products on the market. The Honest Company is
very passionate about their "green" efforts and provides
direct to customer fulfillment, thereby eliminating much of the
supply chain waste and instead investing this money in development
and use of all plant-based non-toxic ingredients that will never harm
the planet. Additionally, all Honest Company packaging is made from
100% renewable or recycled materials. Jessica is not only committed
to creating a safer and more sustainable future for generations to
come, but every purchase allows The Honest Company to donate time,
money and product to Baby2Baby.org and other organizations
that advocate for and provide essentials to babies in need. Ranging
from diapers and wipes to household cleaning detergents and a full
line of body care products, in just eight short months, the products
have been recognized by top parenting and eco-friendly proponents,
have been listed on the Environmental Working Group’s Sunscreen
Guide and have been recognized with numerous awards and honors,
including the National Parenting Publication Awards and the Natural
Child World Eco-Excellence Awards.
This March, she released her
first book, “The Honest Life,” a how-to handbook based on her
mission of creating a natural, authentic and non-toxic life for her
family, which became an instant New York Times Bestseller. “The
Honest Life”
recounts her personal journey of discovery and reveals her tips for
making healthy living fun, real, and stylish, while offering a candid
look inside her home and daily life. She shares strategies for
maintaining a clean diet (with favorite family-friendly recipes) and
embraces nontoxic choices at home and provides eco-friendly decor
tips to fit any budget. Jessica also discusses cultivating a daily
eco beauty routine, finding one’s personal style without resorting
to yoga pants, and engaging in fun, hands-on activities with kids.
Jessica’s activism endeavors
are extensive. She is the spokesperson for the Safer Chemicals,
Healthy Families Coalition, joining leading public health experts and
demanding that government leadership increase protections against
toxic chemicals. In 2010, she was the global ambassador and co-chair
for 1Goal with Queen Rania Abdullah of Jordan and Bono, an
international campaign tied to the World Cup to provide education for
all. She has been an avid supporter of several other non-profits
including V-Day, Healthy Child Healthy World, Step Up Women’s
Network, The Children’s Defense Fund, Declare Yourself and Voto
Latino. Her passion for social justice, particularly for women and
children, has led to several trips to Capitol Hill. She is on the
board of directors of Baby2Baby.org and was among Fast Company’s
100 Most Creative People in Business 2012 (#17), Vanity Fair's
Next Establishment, chosen as Entrepreneur of the Year at the UK
Glamour Women of the Year 2012 Awards, selected as one of Fortune
Magazine’s 10 Most Powerful Entrepreneurs and received the
Entertainment Media Association’s inaugural “Green Parent”
Award.
Jessica has also received Golden
Globe and People’s Choice Award nominations and was voted TV Guide
readers’ Breakout Star of the Year and won Favorite TV Actress at
the 2001 Teen Choice Awards for “Dark Angel.” She won the
Nickelodeon Kids’ Choice Award for Favorite Female Actress for her
performance in Fantastic
Four and an MTV Movie
Award for Sexiest Performance in Sin
City. She
received another Teen Choice Award for Choice Movie Actress in a
Horror/Thriller for The
Eye and was honored by
the Young Hollywood Awards as Superstar of Tomorrow in 2005.
She has received ALMA Awards for her performances in “Dark Angel”
and Machete,
as well as a Fashion Icon in 2009.
Jessica was raised in a
traditional American family in Southern California. Her
mother’s family has a French-Danish heritage, while her father is
from Mexican-Indian and Spanish lineage
LADY GAGA (La Camaleon)
feature film debut is in Machete Kills. This fall, Lady Gaga will
release her fourth studio album, ARTPOP. In a first for the music
industry, ARTPOP will be released simultaneously with an accompanying
app that combines music, art, fashion and technology for a new
interactive worldwide community. Both the ARTPOP and the ARTPOP app
will be released on November 11, 2013.
Lady
Gaga came to prominence following the release of her debut studio
album The Fame (2008), which included the hits "Just Dance,"
"Poker Face," and sold over 15 million copies worldwide.
The album earned her six Grammy nominations and two wins as well as a
record-setting thirteen MTV Video Music Award nominations. Gaga is
the first artist in history to claim four #1 hits from a debut album
("Just Dance," "Poker Face," "LoveGame"
and "Paparazzi").
She
is also the only artist in the digital era to top the five-million
sales mark with her first two hits, “Just Dance” and “Poker
Face.” She has over 1.3 billion combined views of all her videos
online. She is also a staple in the social networking world, with
over fifty-eight million 'likes’ on Facebook and thirty-nine
million followers on Twitter.
In
2009, Lady Gaga followed “The Fame” with an EP, “The Fame
Monster.” The album was a critical and commercial success, spawning
the hit singles “Bad Romance,” “Alejandro,” and “Telephone.”
“The Fame Monster” garnered Grammys for best Pop Vocal Album,
Best Female Pop Vocal Performance (for “Bad Romance”), and Best
Short From Video (for “Bad Romance”). Directed by Francis
Lawrence, the eye-popping video for “Bad Romance” went on to win
seven MTV Video Music Awards, including the award for “Video of the
Year.”
Her
third studio album, Born This Way, was released on May 23, 2011 and
broke the iTunes record for the fastest rise to number one on release
day. The album hit number one in twenty-two of twenty-three iTunes
stores worldwide. The first single from the album, title track "Born
This Way,” set a music industry record by becoming the fastest
single in history to sell a million copies, only five days after its
February 11th release. On iTunes, the song debuted at the top spot
in 14 countries, including the U.S., and hit number one in all
twenty-three iTunes stores worldwide its first week out. “Born
This Way” was Gaga’s seventh single to hit #1 at Top 40. The
singles from the album, including “Born This Way,” “Judas,”
“The Edge of Glory” and “You & I” have sold a combined
total of more than six million copies in the US alone.
Gaga
is well recognized for her outré sense of style as a recording
artist, in fashion, in performance and in her music videos. Her
contributions to the music industry have garnered her numerous
achievements including five Grammy Awards amongst twelve nominations,
two Guinness World Records and the estimated sale of 15 million
albums and 51 million singles worldwide. Billboard named her both
the "2010 Artist of the Year" and the top selling artist of
2010. Gaga has been included in Time's annual "The 2010 Time
100" list of the most influential people in the world as well as
Forbes' list of the "The World's Most Powerful Celebrities"
in the world. Forbes also placed her at number seven on their annual
list of the world's "100 Most Powerful Women."
VANESSA HUDGENS (Cereza) began
her career in the world of musical theatre at the tender age of 8.
Immediately realizing the incredible future that lay before her, she
has tirelessly pursued her dream with much success. These early
roles in such productions as “Evita,” “Carousel,” “The
Wizard of Oz,” “The King & I,” “The Music Man,”
“Cinderella” and “Damn Yankees” gave Vanessa the opportunity
to showcase her impressive singing and acting skills
The
recognition Vanessa received quickly brought her to the big screen.
She made her feature film debut in Catherine Hardwicke’s
controversial “Thirteen” starring Holly Hunter and Evan Rachel
Wood. Soon thereafter, she co-starred in the action-adventure
film “Thunderbirds.”
It was
however Vanessa’s role in Disney Channel’s breakaway sensation
“High School Musical” that has garnered her much praise and
attention. With critics and fans clamoring for more, Vanessa
was also seen in the films’ highly successful follow ups “High
School Musical 2” and the theatrical release of “High School
Musical 3: Senior Year.” Vanessa followed up her High School
Musical hits by starring in the critically acclaimed “Bandslam”
as well “Beastly” and “Journey 2: The Mysterious
Island.” In 2010, Hudgens won the ShoWest Award for ‘Female
Star of Tomorrow.’
Looking to
branch out and take on some darker roles Hudgens filmed a series of
films that have surprised audiences. Most recently, Vanessa
starred opposite James Franco and Selena Gomez in one of the most
talked about films of 2013 “Spring Breakers.” The film
directed by the controversial director Harmony Korine premiered at
The Venice Film and Toronto Film Festivals. In the drama, “Gimme
Shelter,” directed by Ron Krauss, Hudgens plays a pregnant,
homeless teenager. For this film based on a true story Vanessa
spent two weeks living in a homeless shelter doing research for her
character.
In “The
Frozen Ground” directed by Scott Walker, Hudgens portrays the real
life victim who helps solves the case of a serial murderer in
Alaska. On the heels of this, she will make a cameo in Robert
Rodriguez’s highly anticipated “Machete Kills” due out this
fall.
Hudgens
resides in Los Angeles.
ALEXA VEGA (Kill Joy) has
been acting since the age of four when she landed the role of Burt
Reynolds’s daughter in the acclaimed television series, Evening
Shade. She
became known worldwide in 2001 with her role as Carmen Cortez in Spy
Kids
and was last seen in the most recent installment, Spy
Kids 4: All the Time in the World,
alongside Jessica Alba, Jeremy Piven and Antonio Banderas. She
narrated the Mary Kay documentary series, Mary
Kay Inspiring Stories,
which raises awareness and works to eliminate domestic violence, and
most recently starred as Gaby Rodriguez in the Lifetime movie, The
Pregnancy Project.
Alexa
also starred From Prada
to Nada alongside
Camilla Belle and Wilmer Valderrama, for which she won a 2011 Alma
Award for “Favorite Film Actress in a Comedy”, a 2011 MTV Movie
Award for “Favorite Latino Actor”, and she also received a 2011
Imagen Award nomination. From
Prada to Nada is
a Latina spin on Jane Austen's Sense
and Sensibility,
where two spoiled sisters who have been left penniless after their
father's sudden death are forced to move in with their estranged aunt
in East Los Angeles.
Vega made her Broadway debut in
2007 when she played Penny Pingleton in the Tony Award winning
Broadway version of Hairspray.
She was
last seen in the rock musical movie Repo!
The Genetic Opera.
Alexa has appeared in the films
Twister,
as the young Helen Hunt, Little
Giants, Nine
Months, Ghosts
of Mississippi, Deep
End of the Ocean,
Sleepover,
State’s Evidence,
Walkout, Remember the Daze.
Her television credits include Ladies
Man, opposite Alfred
Molina, ER,
Chicago Hope,
and as the lead in the Lifetime feature, Odd
Girl Out and ABC’s
Ruby & the Rockits.
Vega currently resides in Los Angeles.
MARKO ZAROR (Zaror)
is a Chilean martial arts action star and fight choreographer,
currently residing in Los Angeles, California, and Santiago, Chile.
His career began as a young boy with a passion for martial arts and
fighting, inspired by Bruce Lee, Jackie Chan and Jean Claude Van
Damme. At the age of six he started training himself, and by the
age of 18 Marko had become an exceptional kick-boxer and
Tae Kwan Do scholar.
Marko moved to Mexico and
quickly found success in modeling by doing fashion shows and print
work for major brands. Despite this success, he never lost his
passion for martial arts. In Zaror's early career, he starred in
Spanish language action films including Hard
as Nails and Into
the Flames. He
landed his big break in 2003 where he acted as stuntman and martial
arts double for Dwayne Johnson, aka The Rock, in the film The
Rundown. Zaror
then gained international notoriety as lead in indie action
favorites Kiltro,
Mirageman, and Mandrill.
In 2010, he acted as a Colombian prisoner/fighter in the film
Undisputed 3.
Zaror is now working on the
highly anticipated
Violent Rider,
with writer/director Ernesto Diaz Espinoza
and entrepreneur/manager Derek Rundell at RONNOC Entertainment.
SAMUEL DAVIS (Clebourne) is
a native of Houston and a sixth-generation Texan. He is the son
of a roofer/current state representative and a school teacher.
Davis participated in Football and Track & Field until landing a
role in the high school production of "Julius Caesar."
After that, Davis dropped all other extracurricular activities and
focused on his acting.
Davis attended the University of Texas at Austin studying in the prestigious Radio-Television-Film Department. Even though he graduated a year early, Davis still found the time to shoot supporting and leading roles in four feature films. Davis can next be seen in the Tom Hanks produced Parkland and the Eduardo Sanchez directed Exists.
Davis attended the University of Texas at Austin studying in the prestigious Radio-Television-Film Department. Even though he graduated a year early, Davis still found the time to shoot supporting and leading roles in four feature films. Davis can next be seen in the Tom Hanks produced Parkland and the Eduardo Sanchez directed Exists.
Davis grew up working on his
grandfather's ranch for their sheep and cattle company.
About the Filmmakers
ROBERT RODRIGUEZ
(Director/Editor (with Rebecca Rodriguez)/Director of
Photography/Producer/Story by (with Marcel Rodriguez) and Composer
(with Carl Thiel): While
a student at the University of Texas at Austin in 1991, Robert
Rodriguez wrote the script to his first feature film while
sequestered at a drug research facility as a paid subject in a
clinical experiment. That paycheck covered the cost of shooting his
film. He planned to make the money back by selling the film to the
Mexican home video market.
The film, El
Mariachi, went on to
win the coveted Audience Award at the Sundance Film Festival, and
became the lowest budget movie ever released by a major studio.
Rodriguez wrote about these experiences in Rebel
Without a Crew, a
perennial guide for the independent filmmaker.
Rodriguez went on to write,
produce, direct and edit a series of successful films
including Desperado, From
Dusk Till Dawn, The
Faculty, the Spy
Kids franchise, Once
Upon a Time in Mexico, Frank
Miller’s Sin City, The
Adventures of Sharkboy and Lavagirl in 3D, Grindhouse and Machete.
In 2000, Rodriguez founded
Troublemaker Studios, an Austin, Texas based production facility
of which he is co-owner and president. The studio includes a
world-renowned visual effects house, music and publishing arms and
has played a primary role in making Austin a vibrant filmmaking hub.
In 2010, he launched Quick Draw
Productions a development, production and financing company which
gives Rodriguez “green light” capabilities to develop and produce
his own media projects across film, television, gaming and
interactive platforms while closely controlling the creative
process.
Rodriguez is completing SIN
CITY 2: A Dame To Kill For.
He will be launching the EL REY Network, his new cable channel that
will focus on delivering action-packed and exciting content by
Hispanic producers, celebrities, and public figures in the January of
2014. Rodriguez resides in Austin, Texas.
KYLE WARD (Writer):
Kyle Ward is a writer
for both film and television. He is currently writing Arabian
Knights
for Universal and Imagine Entertainment, as well as Underworld
5 for Lakeshore and
Screen Gems. Kyle’s first screenplay Fiasco
Heights was sold to
Universal Pictures with Michael Bay producing. His pilot This
Box Will Save Your Life
was set up at WB Television with Jerry Bruckheimer producing.
MARCEL RODRIGUEZ (Story By):
Marcel Rodriguez is
a Texas based writer/filmmaker presently working with Robert
Rodriguez's script development arm, Quick Draw Productions, as a
screenwriter. He also runs his own company Monarch Creative, a
collective of media professionals who generate content for the web
and television, with a focus on the Latino market. His skills
range from writing, cinematography, and directing. He
received a screenplay credit on the film "The Adventures of
Sharkboy and Lavagirl". He currently has received a story credit
on the new film 'Machete Kills' set to be released in the
Fall 2013.
RICK SCHWARTZ (Producer)
SERGEI BESPALOV (Producer):
Sergei Bespalov is the Chairman and CEO of Aldamisa Entertainment,
LLC and Aldamisa International, LLC. Using his over 15 years of
experience in international law and business Sergei has created one
of the most innovative film finance and production entities in
Hollywood. His strategy to combine Hollywood with other countries
film endeavors generated an instant payoff as he timed his launch to
coincide with a liquidity crisis that forced US based studios to look
for different models of partnership. He is the Executive Producer on
several notable films, including Father
of Invention staring
Kevin Spacey (2010), The
Whistleblower staring
Rachel Weisz (2010), Flutter
(2012), Goat Island,
directed by D.J. Caruso (2012) and Jayne
Mansfield’s Car
starring Billy Bob Thornton, Kevin Bacon, John Hurt and Robert Duval
also directed by Billy Bob Thornton (2012). He is the Associate
Producer on Love,
Wedding, Marriage
starting Mandy Moore and Kellan Lutz of the Twilight Saga (2011) and
he is the Producer on several upcoming films, The
Untitled Renny Harlin Project
(2013), Robert Rodriguez’s Sin
City 2: A Dame to Kill For
(2013), Red Sky
(2013), and The Untold
Story of Tennessee Williams
(2013).
ALEXANDER RODNYANSKY
(Producer): Alexander
Rodnyansky is a leading Russian film and television producer, film
director and media executive who has produced over 30 Russian and
Eastern European TV series and more than 40 Russian feature films.
In
2009 Rodnyansky established his own company, AR Films. AR
Films controls Germany’s A Company film distribution corporation,
which has a presence in 29 countries in Central and Eastern Europe
and Southeast Asia; the Russian film production company Non-Stop
Production; the American film production company AR Films US; Cinema
Without Borders (Kino Bez Granits), a leading independent film
distribution company; and one of the key Russian film festivals,
Kinotavr. Through AR Games,
the company controls Syncopate, one of the biggest online game
publishers in Russia and the Russian-speaking markets.
Internationally, Rodnyansky
co-produced Cloud
Atlas, directed by
Andy and Lana Wachowski and Tom Tykver; produced Jayne
Mansfield’s Car,
directed by Billy Bob Thornton and set for American release in
September 2013; and Sin
City: A Dame to Kill For,
two highly anticipated sequels directed by Robert Rodriguez.
Mr. Rodnyansky’s Non Stop
Production is currently completing work on Stalingrad,
an epic World War II drama directed by Feodor Bondarchuk that will be
the first Russian-made film to premiere in IMAX format.
AARON KAUFMAN (Producer):
Aaron Kaufman co-founded Quick Draw Productions and Quick Draw
Animation with Robert Rodriguez in Austin, TX. Quick Draw is a full
service production company which develops, finances and produces
Rodriguez’s film projects. Kaufman and Rodriguez have been partners
since 2008 and have independently produced such films as Machete
which premiered at the 2009 Venice Film Festival, and the much
anticipated sequel to Sin City, Sin City: A Dame to
Kill For, which will be released by Dimension Films in 2014. Sin
City: A Dame to Kill For was developed, produced and financed by
Quick Draw and is one of the largest and most ambitious independent
films of all time. Kaufman and Rodriguez are continuing their
partnership in the feature film arena with the upcoming live action
adaptation of Frank Frazetta’s Fire and Ice which is slated
to go into production in early 2014.
Kaufman has recently launched
Major Motion Pictures, LTD with backing from Kilburn Media and has
amassed a varied slate of filmmaker driven films. Kaufman recently
wrapped the new company’s first feature, a comedy entitled Flock
Of Dudes starring Chris D’Elia, Ray Liotta, Skylar Astin, Bryan
Greenberg, Jamie Chung, Marc Maron, Jeff Ross, Hannah Simone and
Hillary Duff and is currently in production on Jon Favreu’s Chef
starring Jon Favreu, Robert Downey Jr., Scarlett Johansson and Sofia
Vergara for Aldamisa Films. Major Motion Pictures, LTD will begin
production on “Captive” starring Arnold Schwarzenegger in the
fall.
Prior to joining forces with
Rodriguez, Kaufman produced and financed such films as The
Greatest with
Pierce Brosnan, Carey Mulligan and Susan Sarandon, Spread
with Ashton Kutcher,
both of which premiered at the Sundance Film Festival as well as the
remake of Gela Babluani's 13
Tzameti starring
Mickey Rourke, Jason Statham, Ray Winstone and Sam Riley.
Kaufman began his career in
entertainment working for Chris Blackwell’s (Island Records, Island
Films), Palm Pictures. While working for the legendary Blackwell
Kaufman assisted in securing financing for film production (The
Last Minute, One
Giant Leap) and
acquisitions (Sex And
Lucia, The
Believer, Scratch)
and managed marketing and promotional aspects of Palm's film
properties and DVD catalog which included titles such as The
Basketball Diaries,
featuring Leonardo DiCaprio and The
Believer featuring
Ryan Gosling.
ILIANA NIKOLIC (Producer):
Iliana began her film
career as a Production Executive at IFC Films in 1999, where she
oversaw the production, development and distribution of award winning
films such as Monsoon
Wedding directed by
Mira Nair, Casa de Los
Babys directed by John
Sayles, The Ballad of
Jack and Rose starring
Daniel Day Lewis, and Miranda July’s Me
And You And Everyone We Know.
Documentary projects include A
Decade Under the Influence
co-directed by Richard LaGravenese and Ted Demme. During her time at
IFC Iliana also shepherded the groundbreaking InDigEnt film program
that brought to market such films as Personal
Velocity directed by
Rebecca Miller and Land
of Plenty directed by
Wim Wenders. Additionally, Iliana managed multiple Television
projects including the Emmy Award nominated series “Dinner For
Five,” hosted and executive produced by John Favreau and
“Independent Focus” hosted by Elvis Mitchell.
Iliana left IFC Films in 2006 to
join Elevation Films as Head of Production and Development. While at
Elevation, Iliana oversaw all of the day-to-day elements of
production, development, sales and operations as well as managing the
acquisition of all rights and properties. Film projects include
Sherrybaby
starring Maggie Gyllenhaal, Duane
Hopwood starring David
Schwimmer, and Gracie directed by Academy Award winning director
Davis Guggenheim.
From 2008-2010, Iliana served as
Vice President of Production at Overnight Productions where she was
responsible for planning, budgeting, production and delivery of
Overnight’s film projects. While at Overnight Iliana produced Labor
Pains starring Lindsay
Lohan, 13
featuring Mickey Rourke, Jason Statham and Ray Winstone, and Robert
Rodriguez’s Machete
starring Jessica Alba, Danny Trejo, Michelle Rodriguez and Robert
DeNiro.
In 2011, Iliana joined Robert
Rodriguez in forming Quick Draw Productions where she recently
developed Frank
Miller’s Sin City: A Dame To Kill For
written by William Monahan and Frank Frazetta’s Fire
and Ice written by
Thomas Donnolly and Joshua Oppenheimer.
BORIS TETEREV (Executive
Producer):
In the early 1990s, Boris Teterev leaned towards entrepreneurship. In
1995, he became the owner and president of “Musa Motors Moscow”-
the only official dealer for Volvo,
Jaguar, Land Rover, Renault, Mercedes, Chrysler, Jeep Dodge, BMW,
Mini and Rolls-Royce in
Moscow (Russia). In 2008, Teterev sold the company and reconsidered
his career.
Since 2009 Boris Teterev has also
been actively involved in film production - producing and executive
producing a number of films including Aldamisa Entertainment's
Standing Up,
The Dyatlov Pass
Incident, Robert
Rodriguez's Sin City 2
and Jon Favreau's Chef,
starring Scarlett Johansson, Sofia Vergara, Dustin Hoffman and Robert
Downey Jr.
In 2010
Teterev, with his spouse Inara Tetereva, established a family
charitable foundation. Teterev is considered one of the most generous
private philanthropists in Eastern Europe. While the roots of the
Foundation are in Latvia, it also provides support to charitable
projects in US, Indonesia, Russia, Thailand, Rwanda, Uganda etc.
Among other
awards, in 2011, Teterev and his spouse were
awarded the Cicero Prize
and received the Order of the Three Stars, which is the highest award
for merit in service to Latvia. Individuals who receive this award
have made major contributions towards Latvia’s public, cultural and
economic development. In
2012, they were awarded the distinction “Riga Citizen 2012” for
enlivening and promoting the tradition of charitable and cultural
patronage in Riga. In 2012, Riga
Stradiņš University awarded Boris and Inara Teterev Honorary
Doctorate Degrees (Doctor honoris causa).
JERE HAUSFATER (Executive
Producer)
MARK C. MANUEL (Executive
Producer): Mark Manuel
is the CEO of EI Capital Group, a niche entertainment finance company
with close ties to various major and independent film studios.
Mark
is a top tier Hollywood financier. His businesses uniquely serve both
the major and independent film studios as well as the independent
film producers. Mark has also produced and executive produced a
number of feature films.
Mark
specializes in large scale capital raising for filmed entertainment
through partnerships with family offices, high net worth individuals,
institutional investors, and local and foreign governments.
Before
joining the entertainment industry, Mark worked in the investment
banking and consulting industries, covering the media and
entertainment industry.
PARIS KASIDOKOSTAS LATSIS
(Executive Producer)
TERRY DOUGAS (Executive
Producer): Terry
Dougas was born to Greek parents in Vancouver, Canada. When he
was four years old, his parents moved back to Greece, where he
was raised in the city of Volos. His love of film brought
him to Los Angeles, where he graduated from the UCLA Extension
Film and Television Program.
After
working as an assistant to numerous producers and directors, Dougas
produced his first movie, The
Mesmerist, at just
23. The film was released in the United States in 2002 and
distributed worldwide soon after. His collaboration with Barbara
De Fina, executive producer of The
Mesmerist and Martin
Scorsese’s longtime producing partner, continued as Dougas and De
Fina produced Brides,
with Scorsese as executive producer. After its theatrical
release in 2004, Brides went
on to become one of the most successful Greek films in
history.
In
2005, Dougas partnered with close friend Paris Kasidokostas-Latsis to
form the film and television production company G&M
Films. A year later, G&M Films partnered with Radar Pictures,
with the films Swing Vote,
starring Kevin Costner; The
Box, starring Cameron
Diaz; and The Invention
of Lying, starring
Ricky Gervais and Jennifer Garner.
In
2008, Dougas and Latsis launched their new company: 1821
Pictures, which released the documentary With
Great Power: The Stan Lee Story and the
drama And While We Were
Here with Kate
Bosworth, which was nominated for Best Narrative Feature at the 2012
Tribeca Film Festival.
In addition to Jane Got
a Gun, the company has
several films set up at studios, including The
Odyssey at Warner
Bros., a retelling of Homer’s Odyssey
based on an idea Dougas brought to the studio.
The
film company also launched a publishing endeavor, 1821 Comics, which
published The New York
Times bestseller and
Guinness World Record-setting Romeo
& Juliet: The War with comic
book legend Stan Lee. The publishing side of the company is
currently hard at work launching Stan Lee’s Kids Universe, its
own imprint specializing in children’s books.
Dougas
is dedicated to delivering quality entertainment to the U.S. and
international markets. He still returns to Greece several times each
year.
ANTHONY GUDAS (Executive
Producer): Anthony
Gudas is the co-founder of Sakonnet Capital Partners. He is a CPA and
also the sole member of Tax Credit Finance, LLC (“TCF”). Rhode
Island based Tax Credit Finance is an industry leader in brokering
and financing state motion picture production tax incentives
throughout the country. Since 2002, it has transacted in excess of
$300 million in state historic, brownsfield and motion picture
production tax credits. Tax Credit Finance began pre-funding motion
picture tax incentives in 2005 and has since financed over 30 films
with budgets ranging from $1,000,000 to $34,000,000. Gudas is also
recognized in New England as one of the top business incentives and
public finance professionals in the area.
Gudas is extensively involved in
Federal and State historic tax credits, State motion picture
production tax credits, Brownsfield credits, Wind and Green energy
credits, state tax planning, incentives negotiations, public finance
and site relocation and expansion consulting. Since 2002 TCF’s
domestic presence has expanded into Rhode Island, Massachusetts,
Connecticut, New York, New Jersey, North Carolina, Iowa, Georgia,
Oregon, California, Michigan, Louisiana, Florida, Texas and New
Mexico.
In 2009, TCF and Reel Capital
joint ventured to form Sakonnet Capital Partners in an effort to
expand their collective funding capacity and to expand their presence
into the international marketplace. Sakonnet Capital Partners now
serves as the chief lender for both TCF and Reel Capital both
domestically and internationally.
SAM ENGLEBARDT (Executive
Producer): Sam
Englebardt is Co-Founder and CEO at Demarest Films, a film and
television production and financing company. At Demarest, Englebardt
has produced or executive produced several films to date, including
Neil Jordan’s Byzantium,
starring Saoirse
Ronan, Gemma Arterton, Jonny Lee Miller and Sam Riley; Max Nichols’
Two Night Stand,
starring Miles Teller and Analeigh Tipton; Robert Luketic’s
Paranoia,
starring Harrison Ford, Gary Oldman, Liam Hemsworth and Amber Heard;
Anton Corbijn’s A
Most Wanted Man,
starring Philip Seymour Hoffman, Rachel McAdams, Willem Dafoe and
Robin Wright.
Englebardt was previously a
Partner and Managing Director at Lambert Media Group (LMG). At LMG,
he was responsible for developing new investment opportunities and
overseeing a portfolio of media and entertainment investments that
includes Rave Motion Pictures (the fifth-largest chain of movie
theatres in the U.S., recently sold to Cinemark), Village Roadshow
Pictures and Concord Music Group. Englebardt also lead LMG’s
investments in several media and entertainment related technology
start-ups.
Prior to LMG, Englebardt served
as Executive Vice President at Artfire Films and
7ate9
Entertainment and was a Founding Partner of Arrival Cinema, where he
produced several acclaimed independent films, including George A.
Romero’s Diary of the
Dead; Paris,
Je T’Aime; and David
Mamet’s Edmond.
A licensed attorney in
California, Englebardt earned his J.D. from Harvard Law School and
studied at Oxford University and the University of Colorado at
Boulder, from which he graduated summa cum laude and Phi Beta Kappa.
Prior to his career in entertainment, Englebardt worked for some of
the world’s largest law firms. He is a member of the Board of
Directors of Variety – The Children’s Charity of Southern
California.
WILLIAM D. JOHNSON (Executive
Producer): After
graduating from the University of California, Berkeley, William
Johnson followed family tradition and went to work on Wall Street.
His father, Charles Johnson, is the founder of Franklin Templeton
Mutual Funds. After 25 years as a successful retail broker and money
manager, Johnson turned his attention to the entertainment business.
He partnered in 2011 with Sam Englebardt and Michael Lambert of
Lambert Media Group to form Demarest Films, a film and television
production company that applies a disciplined asset management
approach to entertainment investing.
At Demarest, Johnson has produced
or executive produced six films to date, including Neil Jordan’s
Byzantium,
starring Saoirse Ronan, Gemma Arterton, Jonny Lee Miller, and Sam
Riley; Max Nichols’ Two
Night Stand, starring
Miles Teller and Analeigh Tipton; Robert Luketic’s Paranoia,
starring Harrison Ford, Gary Oldman, Liam Hemsworth and Amber Heard;
Anton Corbijn’s A
Most Wanted Man,
starring Philip Seymour Hoffman, Rachel McAdams, Willem Dafoe, and
Robin Wright; David Rosenthal’s A
Single Shot, starring
Sam Rockwell, William H. Macy, Melissa Leo, and Jeffrey Wright; and
Joseph Ruben’s Penthouse
North, starring
Michelle Monaghan and Michael Keaton.
ALFONSO BARRAGAN JR.
(Executive Producer):
Alfonso Barragan Jr. was
born and raised in Monterrey, an industrial city in northern
Mexico. He has studied both nationally and internationally and
holds a Bachelors Degree in Industrial Engineering from
Monterrey Institute of Technology and Higher Education
(Instituto Tecnológico y de Estudios Superiores de Monterrey).
While a practicing engineer in Monterrey, Alfonso possesses a
deep passion for the fine arts and theater and, to
that end, continues to pursue a demonstrated intent towards
the discovery and development of talented young artists. Alfonso
has also committed substantial time and resources towards the
development of relevant art collections and the promotion of
cultural events in an effort to provide a richer future for
coming generations.
JOHN
PAUL DEJORIA (Executive Producer)
CARL THIEL (Composer):
Carl Thiel is an award
winning music composer/producer whose work on major feature films
include Spy Kids –
All the Time In The World in 4D, Machete, When Angels Sing, Shorts,
Kill Bill 2, Grindhouse – Planet Terror, Hot Fuzz, Sin City, Miss
Congeniality, Before The Music Dies, El Cantante, The Adventures of
Sharkboy & Lavagirl, Once Upon A Time In Mexico, Spy Kids 2 &
3, and many more. His
music has been heard on numerous national TV & radio advertising
campaigns for clients such as Coca-Cola,
Wal-Mart, Coors Light, Subaru, Volkswagen and
The Texas Lottery.
Carl has had the privilege of working with amazing creative forces
such as Sandra Bullock, Willie Nelson, Bob Schneider, Los Lonely
Boys, John Debney, Andrés Levin, Joe Ely, Stephen Bruton, Robert
Rodriguez’s Chingón, Del Castillo, Grupo Fantasma, Monte
Montgomery, Vallejo, Patricia Vonne, Trevor Romain and many more.
He’s received multiple accolades, including a 2007 Latin Grammy
nomination for his work on the album “Papito” by Spanish pop
legend Miguel Bosé; and most recently he was honored at the 2012
ASCAP Film & TV Music Awards for his work on the hit ABC Sitcom
Last Man Standing.
Carl currently serves on the
Board of Governors of the Texas Chapter of the National Academy of
Recording Arts and Sciences, and frequently volunteers his time to
teach and work with highschool and college students across the state
during educational events such as GRAMMY U Speaker Series and GRAMMY
Camp.
NINA
PROCTOR (Costume Designer):
Nina Proctor has collaborated with Robert Rodriguez on eleven films
including the upcoming Sin
City: A Dame to Kill For.
Her past Rodriguez projects include Machete,
the four Spy
Kids
films, Shorts
and Frank
Miller’s Sin City.
When at Troublemaker Studios, Proctor works out of her wardrobe
department that has been built to her exact specifications.
Proctor
has also worked on such films as Push,
All
The Pretty Horses,
Dr.
T and the Women,
American
Outlaw
and The
Return.








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